The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 80 筆
第 4 頁
... fact, how even the metaphorical may be imagic, while Anderson is not only interested in syntactic but also in ... facts. For instance, he emphasises that Peirce's theory 4 MAX NANNY AND OLGA FISCHER.
... fact, how even the metaphorical may be imagic, while Anderson is not only interested in syntactic but also in ... facts. For instance, he emphasises that Peirce's theory 4 MAX NANNY AND OLGA FISCHER.
第 5 頁
Olga Fischer, Max Nänny. number of facts. For instance, he emphasises that Peirce's theory of signs, with its classification into icons, symbols and indexes, and into object, interpretant and representamen, was triadic and not dichotomic ...
Olga Fischer, Max Nänny. number of facts. For instance, he emphasises that Peirce's theory of signs, with its classification into icons, symbols and indexes, and into object, interpretant and representamen, was triadic and not dichotomic ...
第 6 頁
... fact that the cucurbits are used as symbols for life and death (which links up well with the form, the substance and the general nature of the cucurbits) but also in their phonological iconicity. In other words, the names for these ...
... fact that the cucurbits are used as symbols for life and death (which links up well with the form, the substance and the general nature of the cucurbits) but also in their phonological iconicity. In other words, the names for these ...
第 19 頁
... draws our attention to the fact that every verbal icon is not only an icon, but at the same time also a symbol, sometimes also with indexical elements. 2.3 The nature of the object The sign vehicle and SEMIOTIC FOUNDATIONS OF ICONICITY 19.
... draws our attention to the fact that every verbal icon is not only an icon, but at the same time also a symbol, sometimes also with indexical elements. 2.3 The nature of the object The sign vehicle and SEMIOTIC FOUNDATIONS OF ICONICITY 19.
第 24 頁
... fact inherent in the principle of endophoric iconicity, according to which language is only related to language, and not to the world. Self-reference, as we saw above (2.2), is also inherent in Peirce's concept of the genuine icon. This ...
... fact inherent in the principle of endophoric iconicity, according to which language is only related to language, and not to the world. Self-reference, as we saw above (2.2), is also inherent in Peirce's concept of the genuine icon. This ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words