The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 11 頁
... emotional iconicity as the emotion is not just expressed but inscribed in the text. Next, Lecercle discusses the reflexive or (second-degree) diagrammatic iconicity of the French sentence in which the order of words exemplifies and also ...
... emotional iconicity as the emotion is not just expressed but inscribed in the text. Next, Lecercle discusses the reflexive or (second-degree) diagrammatic iconicity of the French sentence in which the order of words exemplifies and also ...
第 12 頁
... emotional states but that other figures, such as syllogism and enthememe, reflect logical operations. After ... emotions, acts of cognition, attitude, point of view and world-picture), then proceeds to analyse the iconic implications of ...
... emotional states but that other figures, such as syllogism and enthememe, reflect logical operations. After ... emotions, acts of cognition, attitude, point of view and world-picture), then proceeds to analyse the iconic implications of ...
第 38 頁
... emotions both Auster and Borges invoke when depicting similar instances of potential infinite regress, unending duplication is less central a feature of the mise en abyme than might be assumed from the fascination that this particular ...
... emotions both Auster and Borges invoke when depicting similar instances of potential infinite regress, unending duplication is less central a feature of the mise en abyme than might be assumed from the fascination that this particular ...
第 70 頁
... emotional or physical states of the speaker, and consisting of such vocalisations as interjections, grunts, moans, cries, whistles, clicks, coughing, hiccuping, expressive intonation and so on.2 These vocal signs have arisen in the ...
... emotional or physical states of the speaker, and consisting of such vocalisations as interjections, grunts, moans, cries, whistles, clicks, coughing, hiccuping, expressive intonation and so on.2 These vocal signs have arisen in the ...
第 71 頁
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內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words