The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 31 筆
第 4 頁
... a more theoretical or general nature. In the only purely semiotic study of this collection, Winfried Ndth draws our attention to a number of facts. For instance, he emphasises that Peirce's theory 4 MAX NANNY AND OLGA FISCHER.
... a more theoretical or general nature. In the only purely semiotic study of this collection, Winfried Ndth draws our attention to a number of facts. For instance, he emphasises that Peirce's theory 4 MAX NANNY AND OLGA FISCHER.
第 5 頁
... Peirce's theory of signs, with its classification into icons, symbols and indexes, and into object, interpretant and representamen, was triadic and not dichotomic as often assumed. Noth also points out that iconicity represents a scale ...
... Peirce's theory of signs, with its classification into icons, symbols and indexes, and into object, interpretant and representamen, was triadic and not dichotomic as often assumed. Noth also points out that iconicity represents a scale ...
第 17 頁
... Peirce who introduced it in the framework of his general theory of signs. What did the founder of modern semiotics mean by iconicity, how did he define the iconic sign in contrast to other signs, and to what extent is Peirce's theory of ...
... Peirce who introduced it in the framework of his general theory of signs. What did the founder of modern semiotics mean by iconicity, how did he define the iconic sign in contrast to other signs, and to what extent is Peirce's theory of ...
第 18 頁
... Peirce In the framework of Peirce's semiotic typology, the icon is defined according to the relationship between the sign and its object. What does Peirce mean by the object of the sign, and how is the iconic sign related to this object ...
... Peirce In the framework of Peirce's semiotic typology, the icon is defined according to the relationship between the sign and its object. What does Peirce mean by the object of the sign, and how is the iconic sign related to this object ...
第 19 頁
... Peirce's central criterion of iconicity. Peirce distinguishes between the genuine or pure icon as the ideal and at the same time unattainable borderline case of iconicity and the actually iconic sign, which he calls hypoicon (CP 2.276) ...
... Peirce's central criterion of iconicity. Peirce distinguishes between the genuine or pure icon as the ideal and at the same time unattainable borderline case of iconicity and the actually iconic sign, which he calls hypoicon (CP 2.276) ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words