The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 6 頁
... English the group of gl-words has dwindled in the course of time (from Old English to Modern English) so that their iconicity has become less pronounced. On the other hand, it is also interesting to see that foreign gl-words on the ...
... English the group of gl-words has dwindled in the course of time (from Old English to Modern English) so that their iconicity has become less pronounced. On the other hand, it is also interesting to see that foreign gl-words on the ...
第 10 頁
... English period). The Old English objective-genitive is now usually expressed by an iconic of-construction, which ... modern English, adjectival position has become fixed and therefore conventional, i.e. meaning differences can no longer ...
... English period). The Old English objective-genitive is now usually expressed by an iconic of-construction, which ... modern English, adjectival position has become fixed and therefore conventional, i.e. meaning differences can no longer ...
第 17 頁
... English speaking world designates a mare or a stallion as horse and not as cheval, Pferd or cavalo. For generations ... modern semiotics mean by iconicity, how did he define the iconic sign in contrast to other signs, and to what extent ...
... English speaking world designates a mare or a stallion as horse and not as cheval, Pferd or cavalo. For generations ... modern semiotics mean by iconicity, how did he define the iconic sign in contrast to other signs, and to what extent ...
第 65 頁
... English, must share common agreement features (number, gender, person) with their coindexed antecedents, features ... Modern Mind: Three Stages in ICONS, ANAPHORS, AND THE EVOLUTION OF LANGUAGE 65.
... English, must share common agreement features (number, gender, person) with their coindexed antecedents, features ... Modern Mind: Three Stages in ICONS, ANAPHORS, AND THE EVOLUTION OF LANGUAGE 65.
第 75 頁
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內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words