The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 24 筆
第 6 頁
... English for his case study. He shows that these words form a coherent group referring to closely related semantic ... Middle English. He also finds that these gl-icons are to some extent language-specific. Even though they do occur in ...
... English for his case study. He shows that these words form a coherent group referring to closely related semantic ... Middle English. He also finds that these gl-icons are to some extent language-specific. Even though they do occur in ...
第 7 頁
... medieval English literature, showing how pervasive iconicity was from the very beginning of literary history. He first of all notes that there are quite a lot of Middle English data where scribal substitution has produced iconic forms ...
... medieval English literature, showing how pervasive iconicity was from the very beginning of literary history. He first of all notes that there are quite a lot of Middle English data where scribal substitution has produced iconic forms ...
第 9 頁
... English poetry in the larger context of the theological controversy over the use of images, a conflict in which the iconoclastic position of the Reformation was opposed to the iconophile attitude of the ... Middle English INTRODUCTION 9.
... English poetry in the larger context of the theological controversy over the use of images, a conflict in which the iconoclastic position of the Reformation was opposed to the iconophile attitude of the ... Middle English INTRODUCTION 9.
第 10 頁
Olga Fischer, Max Nänny. into a basic SVO language (in the late Middle English period). The Old English objective-genitive is now usually expressed by an iconic of-construction, which places the object of the activity behind the head ...
Olga Fischer, Max Nänny. into a basic SVO language (in the late Middle English period). The Old English objective-genitive is now usually expressed by an iconic of-construction, which places the object of the activity behind the head ...
第 12 頁
... English fiction. He analyses the way the verbal signs imitate the manner in which landscape has been perceived in terms of thematic focus and discursive sequence. He shows that landscape descriptions before the mid-eighteenth century ...
... English fiction. He analyses the way the verbal signs imitate the manner in which landscape has been perceived in terms of thematic focus and discursive sequence. He shows that landscape descriptions before the mid-eighteenth century ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words