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Bart. Follow

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that! follow that! Where is Victorian? Oh, those hateful Come with me. Puss! puss! (Exeunt. On the opposite side enter the COUNT OF LARA and gentlemen, with FRANCISCO.)

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Now, gentlemen, come in, and help me scale

Yon balcony. How now? Her light

still burns.

They glare upon me like an evil eye. cannot stay. Hark! how they mock

I

at me !

They hiss at me like serpents ! Save

me! save me !
(She wakes.)

How late is it, Dolores?
Dol.
It is midnight.
Prec. We must be patient. Smooth
this pillow for me.

Move warily. Make fast the gate, Fran- (She sleeps again. Noise from the garden,

cisco.

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and voices.)

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SONG (continued).

Thy deceits

Give us clearly to comprehend,
Whither tend

All thy pleasures, all thy sweets!
They are cheats,

Thorns below and flowers above.
Ah, Love!

Perjured, false, treacherous Love!

Vict. A very pretty song. I thank
thee for it.

Hyp. It suits thy case.
Vict.

Indeed, I think it does. What wise man wrote it?

Нур. Lopez Maldonado. Vict. In truth, a pretty song. Hyp. With much truth in it. I hope thou wilt profit by it; and in earnest

Try to forget this lady of thy love.

Vict. I will forget her! All dear recollections

Pressed in my heart, like flowers within a book,

Shall be torn out, and scattered to the winds !

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I will forget her! But perhaps hereafter, All this the dead feel not, the dead When she shall learn how heartless is the

world,

A voice within her will repeat my name, And she will say, "He was indeed my friend!"

O, would I were a soldier, not a scholar, That the loud march, the deafening beat of drums,

The shattering blast of the brass-throated trumpet,

The din of arms, the onslaught and the storm,

alone!

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Pancho. And if in seventy days you |

are not gone,

Dead or alive I make you all my slaves. (The Gypsies go out in confusion, showing signs of fear and discontent. PANCHO follows.)

Padre C. A righteous law! A very righteous law! Pray you, sit down.

Pedro C. (They seat themselves on a bench at the PADRE CURA's door. Sound of guitars heard at a distance, approaching during the dialogue which follows.)

I thank you heartily.

A very righteous judgment, as you say. Now tell me, Padre Cura, -you know all things,

How came these Gypsies into Spain?
Padre C.
Why, look you;
They came with Hercules from Palestine,
And hence are thieves and vagrants, Sir
Alcalde,

As the Simoniacs from Simon Magus..
And, look you, as Fray Jayme Bleda says,
There are a hundred marks to prove a
Moor

Is not a Christian, so 't is with the Gypsies.

They never marry, never go to mass, Never baptize their children, nor keep Lent,

Nor see the inside of a church,

nor

nor

Pedro C. Good reasons, good, substantial reasons all!

No matter for the other ninety-five. They should be burnt, I see it plain enough,

They should be burnt.

(Enter VICTORIAN and HYPOLITO playing.) Padre C. And pray, whom have we here?

Pedro C. More vagrants! By Saint

Lazarus, more vagrants! Hyp. Good evening, gentlemen! Is this Guadarrama ?

Padre C. Yes, Guadarrama, and good evening to you.

Hyp. We seek the Padre Cura of the village;

And, judging from your dress and reverend mien,

You must be he.

Padre C. I am. Pray, what's your pleasure?

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Padre C. (joyfully). Ay, know it, and have worn it.

Pedro C. (aside). Soup-eaters! by the mass! The worst of vagrants! And there's no law against them. Sir, your servant. [Exit. Padre C. Your servant, Pedro Crespo. Hyp. Padre Cura, From the first moment I beheld your face, I said within myself, "This is the man!" There is a certain something in your looks,

A certain scholar-like and studious some

thing,

You understand, which cannot be mistaken;

Which marks you as a very learned man,
In fine, as one of us.
Vict. (aside).

What impudence! Hyp. As we approached, I said to my companion,

"That is the Padre Cura; mark my words!"

Meaning your Grace. "The other man," said I,

"Who sits so awkwardly upon the bench,

Must be the sacristan."
Padre C.

Ah! said you so? Why, that was Pedro Crespo, the alcalde !

Hyp. Indeed! you much astonish me!

His air

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