[Bagford Collection, II. 164. Pepys, iii. 298.] The Frantic Or, The Wandring Young Man. With Grief and Care he is opprest,} no Comfort can he find; Nights he is disturb'd of Rest, Caus'd by his Love unkind. TO AN EXCELLENT NEW PLAY-HOUSE TUNE. This may be Printed, R[obt]. [ocock]. Be coy, be cruel, do your worst, I must and will adore. Was you as kind as sweet and fair, But yet I understand and see, Can you forget the vow you made, Yet now you will no favour show, and would my life destroy. Sometimes in dreams I do behold Your tresses like fair threads of gold, likewise your beauty bright; 12 18 24 But when I waken from my rest, it proves my ruine quite. 30 For sure I am, my Love is true, 54 Her Answer. MI so fair and cruel too, You tell me that you loved long, When did the darts of my disdain, When first to me you did make Suit, I must confess it would be brave If young men could but ask and have; "Tis not the mode for maids to wooe, This is no more then modesty, But if thy Heart so Loyal be, BAGFORD. 2 P Then I will willingly comply I'le make it all my study still, To be obedient to thy will true blessings to restore: Here in my armes I'll the[e] infold, And prize the[e] more then all the Gold, The moan you made my heart did move, Thou shalt not wander from thy Love, whom you so much adore: And therefore now no more repine, Take Hand and Heart, I will be thine, FINIS. 84 90 96 Printed for J. Deacon, at the Angel in Guilt-spur-street, without Newgate. [In Black-letter. Date, 1685-1688.] The Healing Balsom of a True Lover. "Phillis is my only Joy, Faithless as the Wind or Seas; Sometimes coming, sometimes coy, Yet she never fails to please; If, with a frown, I am cast down, Phillis smiling, And beguiling, Makes me happier than before. THE Tho', alas! too late I find, Nothing can her Fancy fix; I forgive her all her Tricks; HE tune to which the following ballad is directed to be sung is "Amoret and Phillis." This title refers to "a song by Sir C. S.," in Sir George Etherege's comedy "Sir Fopling Flutter; or, The Man of Mode," Act v. sc. 2, 1676. It long continued a favourite. The earliest music to it was by Dr. Nicholas Staggins, Composer to Charles II., and afterwards Master of the Band to William III., and appears in Playford's Choice Ayres, ii. 5, 1679. Later, it was re-set by Dieupart,' and also by L. Ramondon. We give the words direct from the comedy, but they appeared separately so early as 20th November, 1676, among New Songs; and the year after in Wit's Academy, p. 113 : There can be no reasonable doubt as to the authorship, for it is expressed in the play "Song by Sir C. S.," and we find at beginning the "Prologue, By Sir Car Scroope, Baronet." Who wrote our Bagford ballad of "The Healing Balsom" it were a much harder task to determine. A copy is in Pepys Coll., iii. 298. 1 In Watts's Musical Miscellany, ii. 220, 1729, where the words are mistakenly assigned to Etherege, in defiance of a statement in the play. The music and words are also in the choice little undated volume, Richard Neale's A Pocket Companion for Gentlemen and Ladies, &c., p. 116; and in Vocal Music, iii. 236. J. Nichols, a trustworthy authority, gives the words unhesitatingly to Sir Car Scrope, and as " from the French of Madame de la Suze," in the first vol. of his Select Collection of Poems, with Notes, p. 16, 1780. Dr. John Aikin, and R. H. Evans (in his most impudent republication of Aikin's book, without leave, during his lifetime), misled by the initials, print the song as being Sir Charles Sedley's. It is not, however, among Sedley's Miscellaneous Works, 1702; nor is it equal to the best of his charming lyrics, many of which are perfect as Love-songs. 2 Al. lect. you strive. |