The Bucknell Review, 第 18 卷Bucknell University Press, 1970 |
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第 1 到 3 筆結果,共 49 筆
第 37 頁
... past and present immediately raised . The scene dramatizes two lines of action which eventually converge through Prospero's plan : first , it is made clear that the court no longer has authority , and as an im- plicit corollary , we are ...
... past and present immediately raised . The scene dramatizes two lines of action which eventually converge through Prospero's plan : first , it is made clear that the court no longer has authority , and as an im- plicit corollary , we are ...
第 38 頁
... past ( Milan ) , a past for which Prospero could demand vengeance , is really to be worked out peacefully or virtuously . The importance of the phrase , then , is that it aptly characterizes the ambivalent appearance of Prospero's ...
... past ( Milan ) , a past for which Prospero could demand vengeance , is really to be worked out peacefully or virtuously . The importance of the phrase , then , is that it aptly characterizes the ambivalent appearance of Prospero's ...
第 39 頁
... past is that it exactly parallels Prospero's present design , except that the ends are entirely different , which is precisely what Shake- speare wants us to notice . It is Prospero who now possesses " both the key / Of officer and ...
... past is that it exactly parallels Prospero's present design , except that the ends are entirely different , which is precisely what Shake- speare wants us to notice . It is Prospero who now possesses " both the key / Of officer and ...
內容
The Problem of Philosophy in the Novel | 53 |
Seriality in Modern Literature | 63 |
The Quality of Feeling in Kawabatas | 81 |
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