The Complete Works of William Shakespeare, 第 2 卷Jefferson Press, 1907 |
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第 1 到 5 筆結果,共 23 筆
第 ix 頁
... a class of its own in Shakespearean drama . The plot stands almost alone in Shakespeare's work , in that it is not known to have been borrowed . Subsequently it became. [ ix ] INTRODUCTION TO LOVE'S LABOUR'S LOST SIDNEY LEE.
... a class of its own in Shakespearean drama . The plot stands almost alone in Shakespeare's work , in that it is not known to have been borrowed . Subsequently it became. [ ix ] INTRODUCTION TO LOVE'S LABOUR'S LOST SIDNEY LEE.
第 x 頁
... plot of the comedy is not above reproach . It is ingenious in motive and construction . In at least one scene , in the last scene of Act IV . , where the four lords are detected in breaking their oath against love , and each exposes in ...
... plot of the comedy is not above reproach . It is ingenious in motive and construction . In at least one scene , in the last scene of Act IV . , where the four lords are detected in breaking their oath against love , and each exposes in ...
第 xi 頁
... or delicacy of development in plot or character . But despite much that is " overdone or come tardy off , " " Love's Labour's Lost " offers unfaltering proof of the handiwork of a master , albeit a young master [ xi ] INTRODUCTION.
... or delicacy of development in plot or character . But despite much that is " overdone or come tardy off , " " Love's Labour's Lost " offers unfaltering proof of the handiwork of a master , albeit a young master [ xi ] INTRODUCTION.
第 xii 頁
... plot are of like origin . Modes of speech and dress which were habitual to Eliza- bethan society are freely pressed by the dramatic satirist into his service . But he does not confine himself to any single social rank . The inefficiency ...
... plot are of like origin . Modes of speech and dress which were habitual to Eliza- bethan society are freely pressed by the dramatic satirist into his service . But he does not confine himself to any single social rank . The inefficiency ...
第 頁
... plots in the same way that Ben Jonson invented plots , or in the same way that Victor Hugo invented the plot of " Le Roi s'Amuse , ” we have but little means of guessing , for , with the excep- tion of " The Tempest , " there is ...
... plots in the same way that Ben Jonson invented plots , or in the same way that Victor Hugo invented the plot of " Le Roi s'Amuse , ” we have but little means of guessing , for , with the excep- tion of " The Tempest , " there is ...
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常見字詞
Antonio Armado BASS Bassanio Ben Jonson BIRON blood bond BOYET casket Christian comedy COST Costard court doth dramatic dramatist ducats DUKE DULL Dumain Elizabethan Enter Exeunt Exit eyes fair fair lady father flesh Folio fool forsworn gentle give grace Gratiano hast hath hear heart heaven Hector Holofernes honour humour infra Jaquenetta Jessica Jew's KATH KING king of Navarre l'envoy lady LAUN Launcelot letter light live LONG Longaville look lord Lorenzo Love's Labour's Lost Lyly's madam marry master means Merchant of Venice merry Monarcho MOTH NATH Navarre Nerissa never oath play plot Pompey Portia praise princess quarto reading ring Rosaline SALAN SALAR SCENE Shakespeare Shylock Sonnet soul speak story supra swear sweet tell thou Three thousand ducats tongue true wench word Worthies
熱門章節
第 125 頁 - Tu-whit, tu-who - a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw...
第 93 頁 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
第 22 頁 - Shylock, we would have moneys:' you say so; You, that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, ' Hath a dog money ? Is it possible A cur can lend three thousand ducats...
第 109 頁 - How sweet the moonlight sleeps upon this bank ! Here will we sit, and let the sounds of music Creep in our ears ; soft stillness, and the night, Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
第 100 頁 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
第 110 頁 - Therefore, the poet Did feign that Orpheus drew trees, stones, and floods Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted.
第 26 頁 - Biron they call him ; but a merrier man. Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit : For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
第 63 頁 - Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished? ® Reply, reply. It is engendered in the eyes, With gazing fed; and fancy dies In the cradle where it lies. Let us all ring fancy's knell. 70 I'll begin it — Ding, dong, bell.
第 57 頁 - Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? If we are like you in the rest, we will resemble you in that.
第 125 頁 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo ; Cuckoo, cuckoo : O word of fear, Uupleasing to a married ear ! WDTTER.