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affection Antonio Armado BASS Bassanio beauty BIRON blood bond BOYET break character comes COST Costard court doth ducats DUKE DULL Elizabethan Enter Exeunt Exit face fair father follow fool French gentle give grace hand hath head hear heart heaven hold keep KING lady LAUN Launcelot learned leave letter light lines live LONG look lord Lorenzo Love's Labour's Lost madam marry master means Merchant mind MOTH never night oath play plot Portia praise pray present PRIN princess prove ring SCENE seems sense Shakespeare Shylock Sonnet speak speech stand story sweet tell thee thing thou thought thousand tongue true turn Venice Worthies young youth
第 125 頁 - Tu-whit, tu-who - a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw...
第 95 頁 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
第 24 頁 - Shylock, we would have moneys:' you say so; You, that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, ' Hath a dog money ? Is it possible A cur can lend three thousand ducats...
第 111 頁 - How sweet the moonlight sleeps upon this bank ! Here will we sit, and let the sounds of music Creep in our ears ; soft stillness, and the night, Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
第 102 頁 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
第 112 頁 - Therefore, the poet Did feign that Orpheus drew trees, stones, and floods Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted.
第 26 頁 - Biron they call him ; but a merrier man. Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit : For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
第 65 頁 - Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished? ® Reply, reply. It is engendered in the eyes, With gazing fed; and fancy dies In the cradle where it lies. Let us all ring fancy's knell. 70 I'll begin it — Ding, dong, bell.
第 59 頁 - Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? If we are like you in the rest, we will resemble you in that.
第 125 頁 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo ; Cuckoo, cuckoo : O word of fear, Uupleasing to a married ear ! WDTTER.