The Works of the Right Honourable Edmund Burke, 第 1 卷F. C. and J. Rivington, 1803 |
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第 1 到 5 筆結果,共 31 筆
第 105 頁
... operate pretty uniformly upon And all men , becaufe because they operate by principles in nature , and which ON TASTE . 105.
... operate pretty uniformly upon And all men , becaufe because they operate by principles in nature , and which ON TASTE . 105.
第 106 頁
Edmund Burke. because they operate by principles in nature , and which are not derived from any particular habits or advantages . Mr. Locke very juftly and finely obferves of wit , that it is chiefly converfant in tracing resemblances ...
Edmund Burke. because they operate by principles in nature , and which are not derived from any particular habits or advantages . Mr. Locke very juftly and finely obferves of wit , that it is chiefly converfant in tracing resemblances ...
第 118 頁
... operate in thefe arts even in their rudeft condi- tion ; and he is not fkilful enough to perceive the defects . But as arts advance towards their perfec- tion , the science of criticism advances with equal pace , pace , and the pleasure ...
... operate in thefe arts even in their rudeft condi- tion ; and he is not fkilful enough to perceive the defects . But as arts advance towards their perfec- tion , the science of criticism advances with equal pace , pace , and the pleasure ...
第 119 頁
... operates and nothing else ; and its operation is in reality far from being always fudden , or , when it is fudden , it is often far from being right . Men of the best tafte by confidera- tion come frequently to change thefe early and ...
... operates and nothing else ; and its operation is in reality far from being always fudden , or , when it is fudden , it is often far from being right . Men of the best tafte by confidera- tion come frequently to change thefe early and ...
第 120 頁
... operate . To multiply principles for every different appear- ance , is useless , and unphilofophical too in a high degree . This matter might be pursued much farther ; but it is not the extent of the fubject which must prefcribe our ...
... operate . To multiply principles for every different appear- ance , is useless , and unphilofophical too in a high degree . This matter might be pursued much farther ; but it is not the extent of the fubject which must prefcribe our ...
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常見字詞
againſt almoſt animals arifes beauty becauſe befides beſt body cafe caufe cauſe colours confequences confider confiderable confifts darkneſs defcription defigned difpofition diftinct diſcover effect faid fame fatisfaction fatisfied fect feems fenfe fenfible ferved feveral fhall fhew fhould fimilar fimple fince fions firft firſt flavery fmall fmooth fociety fome fomething fpecies ftand ftate ftill ftrength ftriking ftrong fubject fublime fuch fuffer fufficient fure greateſt hiftory himſelf horrour idea imagination impoffible impreffion itſelf juft laft leaft leaſt lefs mankind manner meaſures mind miſtake moft moſt muft muſt nature neceffary nefs obferved object occafions ourſelves paffions pain perfons pleafing pleaſed pleaſure poffible pofitive prefent principle produce proportion publick purpoſes qualities raiſes reafon refpects refult SECT ſeem ſenſe ſeveral ſhall ſhort ſtate ſuch tafte taſte tenfion terrour thefe themſelves theſe things thofe thoſe tion underſtanding uſe whilft whofe worfe
熱門章節
第 104 頁 - ... a sort of creative power of its own; either in representing at pleasure the images of things in the order and manner in which they were received by the senses, or in combining those images in a new manner, and according to a different order.
第 95 頁 - ON a superficial view, we may seem to differ very widely from each other in our reasonings, and no less in our pleasures : but notwithstanding this difference, which I think to be rather apparent than real, it is probable that the standard both of reason and taste is the same in all human creatures.
第 150 頁 - Now whatever either on good or upon bad grounds tends to raise a man in his own opinion, produces a sort of swelling and triumph that is extremely grateful to the human mind; and this swelling is never more perceived, nor operates with more force, than when without danger we are conversant with terrible objects, the mind always claiming to itself some part of the dignity and importance of the things which it contemplates.
第 165 頁 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
第 166 頁 - In thoughts from the visions of the night, when deep sleep falleth on men, fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face ; the hair of my flesh stood up. It stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice, saying, "Shall mortal man be more just than God?
第 261 頁 - I have often observed that, on mimicking the looks and gestures of angry, or placid, or frighted, or daring men, I have involuntarily found my mind turned to that passion whose appearance I endeavoured to imitate : nay, I am convinced it is hard to avoid it, though one strove to separate the passion from its correspondent gestures.
第 320 頁 - ... description, though never so exact, conveys so poor and insufficient an idea of the thing described, that it could scarcely have the smallest effect, if the speaker did not call in to his aid those modes of speech that mark a strong and lively feeling in himself. Then, by the contagion of our passions, we catch a fire already kindled in another, which probably might never have been struck out by the object described.
第 318 頁 - It is true, I have here no clear idea ; but these words affect the mind more than the sensible image did ; which is all I contend for. A picture of Priam dragged to the altar's foot, and there murdered, if it were well executed, would undoubtedly be very moving ; but there are very aggravating circumstances, which it could never represent : Sanguine foedantem quos ipse sacraverat ignes.
第 161 頁 - IT is one thing to make an idea clear, and another to make it affecting to the imagination. If I make a drawing of a palace, or a temple, or a landscape, I present a very clear idea of those objects; but then (allowing for the effect of imitation, which is...