Speech and Performance in Shakespeare's Sonnets and PlaysDavid Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. |
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常見字詞
action allows appears argues argument attempts audience beauty beloved Bertram body Cambridge character claims common concepts condition context Cressida criticism dark desire discourse early effect Elizabethan embodied Ends Essays essentially expression eyes face fact fair feel force give Hamlet hand heart Helen historical human interiority kind King language lines literary live London look loue lover marks meaning merely mutual nature object offers Othello performative Petrarchan play player player-poet poem poet poetic political position possible proper name question reading reciprocity referent reflection relations relationship render representation represented rhetorical Romeo Romeo and Juliet scene sense sexual Shakespeare's sonnets silence situation social space speak speech acts stage status suggests texts theatre theatrical thee thing thou thought transform Troilus true truth turn University Press voice woman women writing York young
書目資訊
| 書名 | Speech and Performance in Shakespeare's Sonnets and Plays |
| 作者 | David Schalkwyk |
| 版本 | 重印 |
| 出版者 | Cambridge University Press, 2002 |
| ISBN | 0521811155, 9780521811156 |
| 頁數 | 262 頁 |
| 匯出書目資料 | BiBTeX EndNote RefMan |