Dialogues with Convention: Readings in Renaissance PoetryHarvester Wheatsheaf, 1989 - 204 頁 |
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第 1 到 3 筆結果,共 39 筆
第 78 頁
... lines point to what lies ahead and acknowledge his sober recognition that should he die there is little he could complain of a recognition that both affirms the nature of his love for her and the danger of what is to be undertaken . The ...
... lines point to what lies ahead and acknowledge his sober recognition that should he die there is little he could complain of a recognition that both affirms the nature of his love for her and the danger of what is to be undertaken . The ...
第 96 頁
... lines . Whereas the conceit , or metaphor , of the second quatrain ( the usurped town ) and of the sestet ( the divorce and ravishment ) are obvious enough , the opening lines seem to show Donne writing ' as though no single metaphor ...
... lines . Whereas the conceit , or metaphor , of the second quatrain ( the usurped town ) and of the sestet ( the divorce and ravishment ) are obvious enough , the opening lines seem to show Donne writing ' as though no single metaphor ...
第 106 頁
... line from Il Pen- seroso , ' Where more is meant then meets the ear ' , Coleridge asserts that , of all poets , Milton ' wrote nothing without an interior meaning ' ( 866 ) . And he proceeds to elucidate the interior mean- ing of these ...
... line from Il Pen- seroso , ' Where more is meant then meets the ear ' , Coleridge asserts that , of all poets , Milton ' wrote nothing without an interior meaning ' ( 866 ) . And he proceeds to elucidate the interior mean- ing of these ...
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action actually Adam and Eve Adam's allegorical appears artistic asserts Astrophil and Stella Book Christian Christopher Ricks Comus conceit conventions course critical cross crucial Defence discourse divine Donne's dramatic earth elegy English epic epic simile eternity Eve's Faerie Queene Fall fiction field figures foreknowledge genres God's Haemony heart Heaven Helen Gardner heroic Holy Sonnet human imaginative imitation implied John Donne John Milton landscape lines literary logical London lover masque meaning merely metaphor mind moral narrative nature offers Ovid Ovid's Ovidian Oxford Paradise Lost paradox pastoral Penelope Devereux Penseroso perhaps Petrarchan Platonic poem poet poet's poetic poetry possible question reader Renaissance response rhetorical Satan seems sense sequence Sidney Sidney's simile Sonnet 20 Sonnet 45 sort spelling Spenser story suggest thee things thir thou thought tion University Press verbal verses William Empson words writing