Dialogues with Convention: Readings in Renaissance PoetryHarvester Wheatsheaf, 1989 - 204 頁 |
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第 1 到 3 筆結果,共 31 筆
第 3 頁
... kind , it being a clean different vein from other my former course of writing ' . And he adds : ' how well or ill I have done in it , I am ignorant ' ( ' Dedication ' ) . Nashe is ignorant partly because he does not know what ' kind ...
... kind , it being a clean different vein from other my former course of writing ' . And he adds : ' how well or ill I have done in it , I am ignorant ' ( ' Dedication ' ) . Nashe is ignorant partly because he does not know what ' kind ...
第 25 頁
... kind of answer to the questions why they wrote their sonnets and whom they were addressing . Focus upon this dimension of the poetry produced will em- phasise the role of the reader : ' each reader brings his or her preconceptions ...
... kind of answer to the questions why they wrote their sonnets and whom they were addressing . Focus upon this dimension of the poetry produced will em- phasise the role of the reader : ' each reader brings his or her preconceptions ...
第 42 頁
... kind of view of the nature and function of imaginative literature that Sidney describes in the Defence is , not surprisingly , very vulnerable to the suspicion - and it can be a dangerously subversive suspicion – that it is all a sort ...
... kind of view of the nature and function of imaginative literature that Sidney describes in the Defence is , not surprisingly , very vulnerable to the suspicion - and it can be a dangerously subversive suspicion – that it is all a sort ...
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action actually Adam and Eve Adam's allegorical appears artistic asserts Astrophil and Stella Book Christian Christopher Ricks Comus conceit conventions course critical cross crucial Defence discourse divine Donne's dramatic earth elegy English epic epic simile eternity Eve's Faerie Queene Fall fiction field figures foreknowledge genres God's Haemony heart Heaven Helen Gardner heroic Holy Sonnet human imaginative imitation implied John Donne John Milton landscape lines literary logical London lover masque meaning merely metaphor mind moral narrative nature offers Ovid Ovid's Ovidian Oxford Paradise Lost paradox pastoral Penelope Devereux Penseroso perhaps Petrarchan Platonic poem poet poet's poetic poetry possible question reader Renaissance response rhetorical Satan seems sense sequence Sidney Sidney's simile Sonnet 20 Sonnet 45 sort spelling Spenser story suggest thee things thir thou thought tion University Press verbal verses William Empson words writing