Renaissance DramaLeonard Barkan Northwestern University Press, 1979 - 216 頁 |
內容
The Uniqueness of Unico | 1 |
Comic Violence in Titus | 71 |
FRANK WHIGHAM Ideology and Class Conduct in The Merchant of Venice | 93 |
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常見字詞
Aaron Abigail Accolti action alchemical Alchemist Alworth Antonio attitudes audience Barabas Barabas's Bartholomew Bartholomew Fair Bassanio Ben Jonson Boccaccio Celia Cesario Chapman characters comic Cynthia daughter Decameron disguise divine dramatic Elizabethan Eudora Fair father Ganymede Giletta's gulls heroine Houshold Government human humor I.iii III.ii ingegno ironic irony IV.i Jew of Malta joke Jonson Jonsonian Lady Littlewit London Lovell Lovewit Lycus Lycus's Lysander Lysander's magic Mammon Marlowe Marrall marriage Massinger Massinger's master Merchant of Venice moral Mosca natural Neifile's occultism Orsino Overdo Overreach passion patriarchal play play's plot poet Portia Prince problem comedies puppet Puritan Quarlous Renaissance revenge rhetoric rogues role romantic comedy Rosalind Ruffo satiric scene Selimus sense servants Shakespeare Shylock Sir Giles social society stage Subtle suggests Tamburlaine Tapwell Tharsalio thee theme tion Titus Andronicus Titus's traditional true Twelfth Night V.iii villainy violence Virginia Volpone Volpone's Welborne Widow's witty