Histories, Vol. 2: Volume 2; Introduction by Tony TannerKnopf Doubleday Publishing Group, 1994 - 778 頁 William Shakespeare arrived at his splendid maturity as an artist in his second cycle of history plays. With their superb battle scenes; their magnificent major and minor characters; their stories of ambition, usurpation, guilt, and redemption; and their profound ideas about the social order, these plays represent the Elizabethan historical drama in its full glory. And thanks to parts one and two of Henry IV our literature is graced—in the figure of the dissolute and boastful knight Sir John Falstaff—with one of the greatest comic creations in the history of the stage. |
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第 1 到 3 筆結果,共 74 筆
... fear fear appropriate to a beggar 189 height rank 191 feeble wrong a wrong so grave that the man who submits to it exhibits himself as feeble 192 parle parley , truce 193 motive moving organ , i.e. , tongue 195 Where shame doth harbor ...
... fear the foe , since fear oppresseth strength , Gives in your weakness strength unto your foe ; And so your follies fight against yourself . Fear and be slain , no worse can come to fight , And fight and die is death destroying death ...
... fear thee as I fear 150 the roaring of the lion's whelp . PRINCE And why not as the lion ? FALSTAFF The King himself is to be feared as the lion . Dost thou think I'll fear thee as I fear thy father ? Nay , and I do , I pray God my ...