Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 1 卷W. Heinemann, 1898 - 256 頁 |
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第 1 到 5 筆結果,共 10 筆
第 22 頁
... Mantegna painted his first masterpiece - the Madonna of the church of S. Sophia at Padua -when he was seventeen . Autres temps , autres mœurs ! Nowadays , at thirty , an artist is considered young and brilliant , with all his future ...
... Mantegna painted his first masterpiece - the Madonna of the church of S. Sophia at Padua -when he was seventeen . Autres temps , autres mœurs ! Nowadays , at thirty , an artist is considered young and brilliant , with all his future ...
第 25 頁
... Mantegna , masters who , in order to give expression to the passions that stir them , to realise their ideal , need a vast theatre , numerous actors , dramatic subjects . There is no mise - en - scène , no searching after recondite ...
... Mantegna , masters who , in order to give expression to the passions that stir them , to realise their ideal , need a vast theatre , numerous actors , dramatic subjects . There is no mise - en - scène , no searching after recondite ...
第 114 頁
... Mantegna , then at the end of his long and glorious career . The Marchesa at least succeeded , by dint of many entreaties , in obtaining a few of his works , among others , the portrait of herself , that superb cartoon , for the ...
... Mantegna , then at the end of his long and glorious career . The Marchesa at least succeeded , by dint of many entreaties , in obtaining a few of his works , among others , the portrait of herself , that superb cartoon , for the ...
第 127 頁
... Mantegna , from whom he got his taste for perspective , for crumpled draperies , and for a certain hardness of transition.1 To Vincenzo Foppa , according to Seidlitz , he went for the secrets of proportion . A whole phalanx of sculptors ...
... Mantegna , from whom he got his taste for perspective , for crumpled draperies , and for a certain hardness of transition.1 To Vincenzo Foppa , according to Seidlitz , he went for the secrets of proportion . A whole phalanx of sculptors ...
第 130 頁
... Mantegna and the Venetians , borrowed from the former its taste for foreshortening , and for effects of perspective . ( This is evident in the works of Foppa , for instance , of Bramante , who , we must not forget , was painter as well ...
... Mantegna and the Venetians , borrowed from the former its taste for foreshortening , and for effects of perspective . ( This is evident in the works of Foppa , for instance , of Bramante , who , we must not forget , was painter as well ...
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