LIST OF TEXT ILLUSTRATIONS IN VOLUME I PAGE LA BELLE FERRONNIÈRE. (The Louvre.) xii THE ANNUNCIATION (ASCRIBED TO LEONARDO DA VINCI). (The Uffizi, Florence.) I I VIEW OF THE TOWN OF VINCI, STUDY OF AN OLD MAN. (The Uffizi, Florence.) STUDIES OF INFANTS (FOR THE "SAINT ANNE"). (Musée Condé, Chantilly.). STUDY OF A YOUTH (FOR THE Paris). STUDY OF HELMETED HEADS. Duomo, Florence.) THE CHILD WITH A DOLPHIN, BY VERROCCHIO. (Palazzo Vecchio, Florence.) STUDY OF A HORSEMAN (ASCRIBED TO VERROCCHIO). 28 28 HEAD OF JOHN THE BAPTIST, FROM VERROCCHIO'S "BAPTISM OF CHRIST.” (Accademia, Florence.) 40 STATUE OF COLLEONE, BY VERROCCHIO. (THE BASE BY LEOPARDI.) (Piazza di SS. Giovanni e Paolo at Venice.) . . . 41 STUDY OF A HORSEMAN. (Windsor Library.) 44 "THE ANNUNCIATION" (ATTRIBUTED TO LEONARDO). (The Louvre.) 45 STUDY FOR THE "ADORATION OF THE MAGI." (The Valton Collection, Paris) 45 48 BUST OF S. JOHN THE BAPTIST (ASCRIBED TO LEONARDO). (South Kensington Museum.). STUDY FOR THE "ADORATION OF THE MAGI." (Bonnat Collection, Paris.) PORTRAIT OF A WARRIOR. (Malcolm Collection, British Museum.) VOL. I. b THE "ADORATION OF THE MAGI," BY FILIPPINO LIPPI. (The Uffizi, Florence.) . . . THE MADONNA OF THE "ADORATION OF THE MAGI." (Fragment from the Cartoon.) PAGE 64 65 68 69 72 72 73 TYPES OF VIRGIN AND CHILD. SCHOOL OF LEONARDO. (Bonnat Collection, Paris.) A MILANESE MINIATURE OF THE FIFTEENTH CENTURY (FRONTISPIECE OF THE “ISTORIA DEL DUCA FRANCESCO SFORZA,” BY G. SIMONETTA). (British Museum.) 89 STUDY OF A HORSE. (Windsor Library.) . FRONTISPIECE OF THE "ANTIQUARIE PROSPETTISCHE." PORTRAIT OF IPPOLITA VISCONTI, BY BERNARDINO LUINI. (Monastero Maggiore, 96 TOMB OF CARDINAL ASCANIO SFORZA, BY ANDREA SANSOVINO. (Church of Santa Maria del Popolo, Rome.) .. 97 PORTRAIT OF THE POET BELLINCIONI. (From an Engraving of 1493) 100 THE CHRONICLER CORIO. (From a Contemporary Engraving). BIANCA MARIA SFORZA. (From a Drawing by G. M. Cavalli.) (Accademia, Venice.) THE EMPEROR MAXIMILIAN. (From a Drawing by G. M. Cavalli.) (Accademia, Venice.) 104 BEATRICE D'ESTE: FROM THE MONUMENT BY CRISTOFORO SOLARI. (Certosa, Pavia.) 105 DESIGN FOR CANDELABRUM. (Codex Atlanticus.) .. 108 MARSHAL TRIVULZIO. FROM A PLAQUE ASCRIBED TO CARADOSSO 109 112 "THE MARTYRDOM OF S. SEBASTIAN," BY VICENZO FOPPA. (The Brera, Milan.) A MILANESE PORTICO OF THE TIME OF LODOVICO IL MORO (after an engraving ascribed to Bramante) 113 117 "THE CRUCIFIXION," BY MONTORFANO. (Refectory of Santa Maria delle Grazie, Milan.). I 20 121 125 STUDY OF A YOUNG WOMAN. (Windsor Library.) PORTRAIT OF GIAN GALEAZZO SFORZA, BY V. FOPPA. (Wallace Museum, London.) FRIEZE BY CARADOSSO. (Church of San Satiro, Milan.) STUDY FOR THE “ADORATION OF THE MAGI." (The Valton Collection, Paris.) 141 141 144 EQUESTRIAN BAS-RELIEF BY LEONARDO DA PRATO (1511). (Church of SS. Giovanni e Paolo, Venice.) . . . 145 STUDIES FOR THE EQUESTRIAN STATUE OF FRANCESCO SFORZA. (Windsor Library, reproduced from Dr. Richter's Book.). 148 EQUESTRIAN Statue of GaTTAMELATA, BY DONATELLO, AT PADUA 149 152 STUDIES OF HORSES. (Windsor Library.) 153 STUDY FOR THE EQUESTRIAN STATUE OF FRANCESCO SFORZA. (Windsor Library. 156 STUDY FOR THE EQUESTRIAN STATUE OF FRANCESCO SFORZA. (Windsor Library. 157 STUDY FOR THE EQUESTRIAN STATUE OF FRANCESCO SFORZA. (Windsor Library. 160 PAGE STUDY OF HORSES. (Windsor Library.) . . A FIGURE FOR THE ADORATION OF THE MAGI." (Bonnat Collection, Paris.) THE "VIRGIN OF THE ROCKS." (National Gallery, London.). 161 161 (Royal Library, Turin.) . 164 165 168 169 172 173 176 CHILD PLAYING WITH A CAT. (Windsor Library.). . FIRST IDEA FOR "THE LAST SUPPER." (Windsor Library.) 176 177 FIRST IDEA FOR "THE LAST SUPPER." (The Louvre.) LODOVICO IL MORO GRANTING A CHARTER TO THE PRIOR OF SANTA MARIA DELLE FIRST IDEA FOR “THE LAST SUPPER." (Accademia, Venice.) (In its present state.) "THE LAST SUPPER." RIGHT SIDE. (In its present state.) THE CASTLE OF MILAN. FROM A SIXTEENTH CENTURY DRAWING Collection, the Louvre.) (Library of the Institut de France.) 205 (The Castle of Milan.) PLAN OF A PAVILION FOR THE DUCHESS OF MILAN. STUDY FOR A STANDING FIGURE. (Library of the Institut de France.). A MUSE (?). FROM AN ENGRAVING ASCRIBED TO LEONARDO. (British Museum.) 200 201 204 (Vallardi 205 208 209 212 212 213 STUDY FOR THE EQUESTRIAN STATUE OF FR. SFORZA. (Windsor Library.) 213 216 216 HEAD OF A WOMAN. FROM AN ENGRAVING ASCRIBED TO LEONARDO. (British 217 STUDY OF A HEAD. FACSIMILE OF AN ENGRAVING AFTER LEONARDO 220 221 DESIGN FOR A CHURCH WITH A CENTRAL CUPOLA. (Library of the Institut de France.) 224 MODELS OF WEAPONS, OFFENSIVE AND DEFENSIVE. (The Valton Collection, Paris.). 225 STUDY FOR THE "ADORATION OF THE MAGI." (British Museum) . . 225 ENGRAVING OF INTERLACED ORNAMENT, INSCRIBED "ACADEMIA LEONARDI VINCI.” (The Ambrosiana, Milan.). 228 ENGRAVING OF INTERLACED ORNAMENT, INSCRIBED ACADEMIA LEONARDI VINCI." (The Ambrosiana, Milan.) 66 229 SKETCH IN THE "TRATTATO DELLA PITTURA." (Vatican Library.) . 230 231 ENGRAVING OF INTERLACED ORNAMENT, INSCRIBED 66 ACADEMIA LEONARDI VINCI." (The Ambrosiana, Milan.) 232 HEAD OF AN OLD MAN CROWNED WITH LAUREL. (Windsor Library.) . SKETCH IN THE "TRATTATO DELLA PITTURA." (Vatican Library.) (Vatican Library.) A SHEET OF SKETCHES. (Bonnat Collection, Paris.) MODEL OF LETTER COMPOSED BY LEONARDO FOR THE TREATISE "DE DIVINA 238 239 240 240 241 241 242 243 243 244 245 248 GROTESQUE HEADS. (Windsor Library) 249 SKETCH FROM THE "TRATTATO DELLA PITTURA." (Vatican Library.) 252 THE PROPORTIONS OF THE HUMAN HEAD, DRAWN BY LEONARDO FOR PACIOLI'S 252 SKETCH FROM THE "TRATTATO DELLA PITTURA." (Vatican Library.) 253 253 256 |