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THE PASSIONATE PILGRIM

THE volume entitled “The Passionate Pilgrim. By William Shakespeare" is a small piratical publication printed for W. Jaggard in 1599. Of the second edition, no copy is known to survive. A third edition, also ascribed to Shakespeare, appeared in 1612, with unacknowledged additions from Thomas Heywood. Heywood, claiming to speak for Shakespeare as well as himself, protested against the theft, and a new title-page was printed without Shakespeare's name. In 1640 the contents were again re-printed, along with Shakespeare's Sonnets and other miscellaneous poems. The whole of the first edition is here reprinted; but, of its twenty poems, only five are certainly by Shakespeare. Of these, I and II appeared later as Sonnets 138 and 144 in the edition of 1609; III, v, and xvi are from Love's Labour's Lost, IV. ii. 96–109, iv. iii. 58-71, and IV. iii. 99-118. The authorship of four others is definitely known: viii, xx (and probably xvi) are by Richard Barnefield; xI appears as the third sonnet in Bartholomew Griffin's Fidessa; XIX is by Marlowe, and its last stanza, "Love's Answer," is ascribed by Walton to Raleigh. Of the authorship of the remaining ten nothing is known, the probability of Shakespeare's authorship depending on evidences of style which vary from poem to poem, but which are in no case strong. Some critics accept IV and VI; fewer, VII, IX, XII, XVIII; while x, xIII, XIV, and XV are usually rejected. 'Sonnets to Sundry Notes of Music" is merely the title of the second part of The Passionate Pilgrim.

I

66

WHEN my love swears that she is made of
truth,

I do believe her, though I know she lies,
That she might think me some untutor'd youth,
Unskilful in the world's false forgeries.
Thus vainly thinking that she thinks me young,
Although I know my years be past the best,
I, smiling, credit her false-speaking tongue,
Outfacing faults in love with love's ill rest.
But wherefore says my love that she is young?
And wherefore say not I that I am old?
O, love's best habit is a soothing tongue,
And age, in love, loves not to have years told.
Therefore I'll lie with love, and love with

me,

10

Since that our faults in love thus smother'd be.

II

Two loves I have, of comfort and despair,
That like two spirits do suggest me still ;
My better angel is a man right fair,
My worser spirit a woman colour'd ill.
To win me soon to hell, my female evil
Tempteth my better angel from my side,
And would corrupt my saint to be a devil,
Wooing his purity with her fair pride.
But whether that my angel be turn'd fiend,
Suspect I may, yet not directly tell;
For being both to me, both to each friend,
I guess one angel in another's hell.

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The truth I shall not know, but live in doubt,
Till my bad angel fire my good one out.

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V

If love make me forsworn, how shall I swear to love?

O never faith could hold, if not to beauty

vowed:

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Let reason rule things worthy blame,
As well as fancy, partial like.

Take counsel of some wiser head,
Neither too young nor yet unwed.

And when thou com'st thy tale to tell,
Smooth not thy tongue with filed talk,
Lest she some subtle practice smell,
A cripple soon can find a halt;

But plainly say thou lov'st her well,
And set thy person forth to sell.

What though her frowning brows be bent,
Her cloudy looks will calm ere night;
And then too late she will repent
That thus dissembled her delight;
And twice desire, ere it be day,
That which with scorn she put away.

What though she strive to try her strength,
And ban and brawl, and say thee nay,
Her feeble force will yield at length,
When craft hath taught her thus to say:
"Had women been so strong as men,
In faith, you had not had it then."

And to her will frame all thy ways;
Spare not to spend, and chiefly there
Where thy desert may merit praise,
By ringing in thy lady's ear.

The strongest castle, tower, and town,
The golden bullet beats it down.

Serve always with assured trust,

275

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In howling wise, to see my doleful plight.

How sighs resound

Through heartless ground,

Like a thousand vanquish'd men in bloody

fight!

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285

The wiles and guiles that women work,
Dissembled with an outward show,
The tricks and toys that in them lurk,
The cock that treads them shall not know.
Have you not heard it said full oft,
A woman's nay doth stand for nought?

Think women seek to strive with men
To sin, and never for to saint:

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She, poor bird, as all forlorn,
Lean'd her breast up-till a thorn,
And there sung the dolefull'st ditty,
That to hear it was great pity.
"Fie, fie, fie," now would she cry;
"Tereu, tereu!" by and by;
That to hear her so complain,
Scarce I could from tears refrain;
For her griefs, so lively shown,
Made me think upon mine own.
Ah, thought I, thou mourn'st in vain!
None takes pity on thy pain.

Senseless trees they cannot hear thee;
Ruthless beasts, they will not cheer thee.
King Pandion he is dead;

All thy friends are lapp'd in lead;
All thy fellow birds do sing,
Careless of thy sorrowing.

[Even so, poor bird, like thee,
None alive will pity me.]

Whilst as fickle Fortune smil'd,
Thou and I were both beguil'd.
Every one that flatters thee

390

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Is no friend in misery.

Words are easy, like the wind;

Faithful friends are hard to find:

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365

But if store of crowns be scant,

No man will supply thy want.

410

If that one be prodigal,

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Bountiful they will him call, And with such-like flattering,

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Pity but he were a king!" If he be addict to vice, Quickly him they will entice: If to women he be bent, They have at commandement: But if Fortune once do frown, Then farewell his great renown; They that fawn'd on him before Use his company no more. He that is thy friend indeed, He will help thee in thy need: If thou sorrow, he will weep; If thou wake, he cannot sleep; Thus of every grief in heart He with thee doth bear a part. These are certain signs to know Faithful friend from flatt'ring foe.

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