Biographia Literaria, 第 1 卷Clarendon Press, 1907 - 334 頁 These two volumes are a reprint of the edition of 1817 with additional material to clarify the text. It includes Coleridge's aesthetical writings; notes on the text; and an introductory essay about his theory of imagination. |
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第 x 頁
... object which , it is probable , Mr. Wordsworth had before him in his critical preface - Elucidation and application of this - The neutral style , or that common to Prose and Poetry , exemplified by specimens from Chaucer , Her- bert ...
... object which , it is probable , Mr. Wordsworth had before him in his critical preface - Elucidation and application of this - The neutral style , or that common to Prose and Poetry , exemplified by specimens from Chaucer , Her- bert ...
第 xix 頁
... objects , which to the intellect appear merely as parts of an undiscoverable whole , are to the gaze of imaginative faith the symbol of that totality which is its object . Through the medium of phenomena spirit meets spirit ; but in ...
... objects , which to the intellect appear merely as parts of an undiscoverable whole , are to the gaze of imaginative faith the symbol of that totality which is its object . Through the medium of phenomena spirit meets spirit ; but in ...
第 xx 頁
... object of - reflection to Coleridge , even before the period of his settle- ment at Stowey , but we have no evidence that he had before that date assigned a definite faculty to this sphere of mental activity , or named that faculty the ...
... object of - reflection to Coleridge , even before the period of his settle- ment at Stowey , but we have no evidence that he had before that date assigned a definite faculty to this sphere of mental activity , or named that faculty the ...
第 xxii 頁
... object of Coleridge , both then and later , was ' to investigate the seminal principle ' . Of these two aspects of the matter , it seems probable that the former only was actually discussed between them . For in their discussions they ...
... object of Coleridge , both then and later , was ' to investigate the seminal principle ' . Of these two aspects of the matter , it seems probable that the former only was actually discussed between them . For in their discussions they ...
第 xxv 頁
... objects ( subjectively necessary , but objectively arbitrary and con- tingent ) to which he was to assign the name of fancy . And as long as the theory of association was accepted by him as applicable to the whole range of mental ...
... objects ( subjectively necessary , but objectively arbitrary and con- tingent ) to which he was to assign the name of fancy . And as long as the theory of association was accepted by him as applicable to the whole range of mental ...
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appear association become Biog Biographia Literaria cause chapter Christ's Hospital Coleridge Coleridge's common conception consciousness Crabb Robinson criticism Descartes diction distinction divine doctrine edition effect equally Essay existence experience expression fact faculty faith fancy feelings Fichte genius German ground Hartley heart human ideal ideas images imagination impressions instance intellect intelligence intuition Jacobinism judgement Kant Kant's knowledge language least lectures less Letters literary Lyrical Ballads meaning mechanical philosophy ment metaphysical Milton mind moral Morning Post nature never notions object opinions original Pantheism passage philo philosopher Plato Plotinus poems poet poetic poetry preface present principles published reader reason S. T. Coleridge Sara Coleridge Schelling Schelling's self-consciousness sensation sense sonnets soul Southey Southey's Spinoza spirit symbol Synesius theory things thought tion Transcendental Idealism true truth understanding volume whole words Wordsworth writings ΙΟ καὶ τὸ
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第 215 頁 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
第 lxvii 頁 - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...
第 xl 頁 - Risest from forth thy silent sea of pines How silently ! Around thee and above Deep is the air, and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge! but when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity! 0 dread and silent mount! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought: entranced in prayer 1 worshipped the Invisible alone.
第 xxxvii 頁 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
第 202 頁 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create: or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
第 xxxvii 頁 - I been gazing on the western sky, And its peculiar tint of yellow green: And still I gaze — and with how blank an eye! And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel, how beautiful they are!
第 4 頁 - I learned from him, that poetry, even that of the loftiest and, seemingly, that of the wildest odes, had a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes.
第 12 頁 - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
第 xxxvii 頁 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
第 125 頁 - Who, too deep for his hearers, still went on refining, And thought of convincing, while they thought of dining...