Women on Stage in Stuart DramaCambridge University Press, 2005 - 294页 Women on Stage in Stuart Drama provides a 'prehistory' of the actress, filling an important gap in established accounts of how women came to perform in the Restoration theatre. Sophie Tomlinson uncovers and analyzes a revolution in theatrical discourse in response to the cultural innovations of two Stuart queens consort, Anna of Denmark and the French Henrietta Maria. Their appearances on stage in masques and pastoral drama engendered a new poetics of female performance, which registered acting as a powerful means of self-determination for women. The pressure of cultural change is inscribed in a plethora of dramatic texts that explore the imaginative possibilities inspired by female acting. These include plays by the key royalist women writers Margaret Cavendish, Duchess of Newcastle, and Katherine Philips. The material explored by Tomlinson illustrates a fresh vision of theatrical femininity and encompasses an unusually sympathetic interest in questions of female liberty and selfhood. |
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... REFERENCE The Collected Works of Katherine Philips CWKP II CWKP III DWBFC JCS the Matchless Orinda , I The Poems , ed . Patrick Thomas . Stump Cross : Stump Cross Books , 1990 . The Collected Works of Katherine Philips , II The Letters ...
... REFERENCE The Collected Works of Katherine Philips CWKP II CWKP III DWBFC JCS the Matchless Orinda , I The Poems , ed . Patrick Thomas . Stump Cross : Stump Cross Books , 1990 . The Collected Works of Katherine Philips , II The Letters ...
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... reference in a letter of John Chamberlain to the palace of Somerset House on the Strand as ' Quenes court'.38 Chamberlain's letter reports the marriage at Somerset House of Anna's lady - in - waiting Jane Drummond to the Earl of ...
... reference in a letter of John Chamberlain to the palace of Somerset House on the Strand as ' Quenes court'.38 Chamberlain's letter reports the marriage at Somerset House of Anna's lady - in - waiting Jane Drummond to the Earl of ...
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常见术语和短语
action actors actress Anna of Denmark audience beauty Bellessa Ben Jonson Bianca Bonavent Broken Heart Calantha Cambridge University Press Carol Cartwright chastity Circe Circe's Cleopatra Coleorton comedy Comus court masque culture Cupid Cupid's Banishment CWKP dance Daniel's death discourse dramatists Duchess Duchess of Malfi Echo Elizabeth English Eumela Fairfield female performance feminine Ford's Gender Henrietta Maria heroic husband Hyde Park Inigo Jones Ithocles Jacobean James Shirley John Ford Jonson Katherine Philips Lady Frances Lady-Errant Lady's line in parentheses literary London Love's Sacrifice madness male Margaret Cavendish marriage masculine masquers McManus Messallina Milton Mistress Montagu's Moramante Newcastle nymphs Orgel Orgilus Oxford Paradise pastoral Penthea's Philips's play play's Poems political Pompey Queen Renaissance Renaissance Drama representation represented Revels role Rosaura's royal scene sexual Shakespeare's Shepherds shift Shirley Shirley's song speech stage Stephen Orgel Stuart Tempe Restored theatre theatrical Tragedy tragicomedy virtue William woman women writing
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第13页 - Cage, a comedy, which wanteth, I must confess, much of that ornament, which the stage and action lent it, for it comprehending also another play or interlude, personated by ladies, * I must refer to your imagination, the music, the songs, the dancing, and other varieties, which I know would have pleas'd you infinitely in the presentment.