The Bucknell Review, 第 11 卷Bucknell University Press, 1962 |
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第 1 到 3 筆結果,共 37 筆
第 9 頁
... speech of Socrates , with its being - becoming - non - being triad , is preceded by a passage - at - arms with Agathon , who has a simple diremption of fixed contraries , and is followed by an attempted interruption of Aristophanes ...
... speech of Socrates , with its being - becoming - non - being triad , is preceded by a passage - at - arms with Agathon , who has a simple diremption of fixed contraries , and is followed by an attempted interruption of Aristophanes ...
第 11 頁
... speech of Eryximachus turns the Aristophanic attack on Socrates upside down ; the speech of Aristophanes reduces the Empedoclean cosmology of Eryximachus to a relatively puny human scale and shows by implication ( when contrasted with ...
... speech of Eryximachus turns the Aristophanic attack on Socrates upside down ; the speech of Aristophanes reduces the Empedoclean cosmology of Eryximachus to a relatively puny human scale and shows by implication ( when contrasted with ...
第 21 頁
... speech to Ophelia , Laertes says " . . . you must fear , / His greatness weighed , his will is not his own ; / For ... speech about the " vicious mole , " a speech which precedes immediately the coming of the ghost . In Marcellus ...
... speech to Ophelia , Laertes says " . . . you must fear , / His greatness weighed , his will is not his own ; / For ... speech about the " vicious mole , " a speech which precedes immediately the coming of the ghost . In Marcellus ...
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Aeneas Aeneid aesthetic Alcibiades Allston American Aristophanes Arnim to Bismarck artist attitudes Auden Baroque become bishops Bucknell University Chapter character comedy comic concept Conrad Council course critics culture death development of style discussion drama emotion Empire English Eryximachus example experience fact Faulkner feeling forces formal French frontier frontier thesis Greek Hamlet human ideas ideological imagery imperative intellectuals irony Justine kill literary literature Mannerist Marianne Moore means ment mind moral narration nation nature novel objective correlative parallel Paris passage past perhaps period persons philosophical Piato Pietro Lombardo pioneering play poem poet poetic poetry political psychological punishment Renaissance revenge Revenger's Tragedy Revolution Sacred Fount says seems sense social Socrates speech story stylistic subject matter suggest Sutpen symbol T. S. Eliot theme theory things tion Tourneur's tradition tragedy truth usura values Verlaine Vindici Virgil Wallace Stevens Wölfflin words York