ePub 版

But soon, too soon, the lover turns his eyes :

Again she falls, again she dies, she dies ! No writer can be fully convicted of imitation, except there is a concurrence of more resemblance than can be imagined to have happened by chance; as where the same ideas are conjoined without any natural series or necessary coherence, or where not only the thought but the words are copied. Thus it can scarcely be doubted, that in the first of the following passages Pope remembered Ovid, and that in the second he copied Crashaw:

Sæpe pater dixit, studium quid inutile tentas?

Mæonides nullas ipse reliquit opes--
Sponte suâ carmen numeros veniebut ad aptos,

Et quod conabar scribere, versus erat.-Ovid.
Quit, quit this barren trade, my father cry'd ;
Ev'n Homer left no riches when he dy'd-
In verse spontaneous flow'd my native strain,
Forc'd by no sweat or labour of the brain.--F. LEWIS.

I left no calling for this idle trade ;
No duty broke, no father disobey'd ;
While yet a child, ere yet a fool to fame,
I lisp'd in numbers, for the numbers came.- Pops.

This plain floor,
Believe me, reader, can say more
Than many a braver marble can,--
Here lies a truly honest man.-Crashaw.
This modest stone, what few vain marbles can,
May truly say,

Here lies an honest man.-Pops. Conceits, or thoughts not immediately impressed by sensible objects, or necessarily arising from the coalition or comparison of common sentiments, may be with great justice suspected whenever they are found a second time. Thus Waller probably owed to Grotius an elegant compliment :

Here lies the learned Savil's heir,
So early wise, and lasting fair,
That none, except her years they told,
Thought her a child, or thought her old.-WALLER.
Unica lur sæcli, genitoris gloria, nemo

Quem puerum, nemo credidit esse senem.-GROT.
The age's miracle, his father's joy!
Nor old you wou'd pronounce him, nor a boy.--F. Lewis.

And Prior was indebted for a pretty illustration to Alleyne's poetical history of Henry the Seventh.

For nought but light itself, itself can show,
And only kings can write, what kings can do.-ALLEYNE.
Your musick's pow'r, your musick must disclose,

For what light is, 'tis only light that shews.-PRIOR. And with yet more certainty may the same writer be censured, for endeavouring the clandestine appropriation of a thought which he borrowed, surely without thinking himself disgraced, from an epigram of Plato:

Τη Παφίη το κάτοπτρον, έπει τοίη μεν δράσθαι
Ουκ έθέλω, oίη δ' ήν πάρος, ου δύναμαι.

Venus, take my votive glass,
Since I am not what I was ;
What from this day I shall be,
Venus, let me never see.

As not every instance of similitude can be considered as a proof of imitation, so not every imitation ought to be stigmatized as plagiarism. The adoption of a noble sentiment, or the insertion of a borrowed ornament, may sometimes display so much judgment as will almost compensate for invention : and an inferiour genius may, without

any imputation of servility, pursue the path of the ancients, provided he declines to tread in their footsteps.

N° 144. SATURDAY, August 3, 1751.

Daphnidis arcum
Fregisti et calamos: quæ tu, perverse Menalca,
Et cum vidisti puero donata, dolebas,
Et si non aliqua nocuisses, mortuus esses.-Virg.
The bow of Daphnis and the shafts you broke,
When the fair boy receiv'd the gift of right;
And but for mischief, you had dy'd for spite.-DRYDEN.

It is impossible to mingle in conversation without observing the difficulty with which a new name makes its way into the world. The first appearance of excellence

unites multitudes against it; unexpected opposition rises up on every side; the celebrated and the obscure join in the confederacy; subtlety furnishes arms to impudence, and invention leads on credulity.

The strength and unanimity of this alliance is not easily conceived. It might be expected that no man should suffer his heart to be inflamed with malice, but by injuries; that none should busy himself in contesting the pretensions of another, but when some right of his own was involved in the question; that at least hostilities, commenced without cause, should quickly cease; that the armies of malignity should soon disperse, when no common interest could be found to hold them together; and that the attack upon a rising character should be left to those who had something to hope or fear from the event.

The hazards of those that aspire to eminence, would be much diminished if they had none but acknowledged rivals to encounter. Their enemies would then be few, and, what is yet of greater importance, would be known. But what caution is sufficient to ward off the blows of invisible assailants, or what force can stand against uninterrupted attacks, and a continual succession of enemies ? Yet such is the state of the world, that no sooner can any man emerge from the crowd, and fix the eyes of the publick upon

him, than he stands as a mark to the arrows of lurking calumny, and receives in the tumult of hostility, from distant and from nameless hands, wounds not always easy to be cured.

It is probable that the onset against the candidates for renown, is originally incited by those who imagine themselves in danger of suffering by their success; but, when war is once declared, volunteers flock to the standard, multitudes follow the camp only for want of employment, and flying squadrons are dispersed to every part, so pleased with an opportunity of mischief, that they toil without prospect of praise, and pillage without hope of profit.

When any man has endeavoured to deserve distinction, he will be surprized to hear himself censured where he

could not expect to have been named; he will find the utmost acrimony of malice among those whom he never could have offended.

As there are to be found in the service of envy men of every diversity of temper and degree of understanding, calumny is diffused by all arts and methods of propagation. Nothing is too gross or too refined, too cruel or too trifling, to be practised; very little regard is had to the rules of honourable hostility, but every weapon is accounted lawful, and those that cannot make a thrust at life are content to keep themselves in play with petty malevolence, to tease with feeble blows and impotent disturb


But as the industry of observation has divided the most miscellaneous and confused assemblages into proper classes, and ranged the insects of the summer, that torment us with their drones or stings, by their several tribes; the persecutors of merit, notwithstanding their numbers, may be likewise commodiously distinguished into Roarers, Whisperers, and Moderators.

The Roarer is an enemy rather terrible than dangerous. He has no other qualification for a champion of controversy than a hardened front and strong voice. Having seldom so much desire to confute as to silence, he depends rather upon vociferation than argument, and has very little care to adjust one part of his accusation to another, to preserve decency in his language, or probability in his narratives. He has always a store of reproachful epithets and contemptuous appellations, ready to be produced as occasion may require, which by constant use he pours out with resistless volubility. If the wealth of a trader is mentioned, he without hesitation devotes him to bankruptcy; if the beauty and elegance of a lady be commended, he wonders how the town can fall in love with rustick deformity; if a new performance of genius happens to be celebrated, he pronounces the writer a hopeless idiot, without knowledge of books or life, and without the understanding by which it must be acquired. His exaggera

tions are generally without effect upon those whom he compels to hear them; and though it will sometimes happen that the timorous are awed by his violence, and the credulous mistake his confidence for knowledge, yet the opinions which he endeavours to suppress soon recover their former strength, as the trees that bend to the tempest erect themselves again when its force is past.

The Whisperer is more dangerous. He easily gains attention by a soft address, and excites curiosity by an air of importance. As secrets are not to be made cheap by promiscuous publication, he calls a select audience about him, and gratifies their vanity with an appearance of trust by communicating his intelligence in a low voice. Of the trader he can tell that, though he seems to manage an extensive commerce, and talks in high terms of the funds, yet his wealth is not equal to his reputation; he has lately suffered much by an expensive project, and had a greater share than is acknowledged in the rich ship that perished by the storm. Of the beauty he has little to say, but that they who see her in a morning do not discover all those graces which are admired in the Park. Of the writer he affirms with great certainty, that though the excellence of the work be incontestable, he can claim but a small part of the reputation; that he owed most of the images and sentiments to a secret friend; and that the accuracy and equality of the style was produced by the successive correction of the chief criticks of the age.

As every one is pleased with imagining that he knows something not yet commonly divulged, secret history easily gains credit; but it is for the most part believed only while it circulates in whispers; and when once it is openly told, is openly confuted.

The most pernicious enemy is the man of Moderation. Without interest in the question, or any motive but honest curiosity, this impartial and zealous inquirer after truth is ready to hear either side, and always disposed to kind interpretations and favourable opinions. He hath heard the trader's affairs reported with great variation, and, after

« 上一頁繼續 »