Novel Shakespeares: Twentieth-century Women Novelists and Appropriation
Manchester University Press, 2001 - 258 頁
Much recent contemporary fiction by women has appropratied themes and plot structures found in Shakespearean drama; "Novel Shakespeare" is an innovative study of a number of these texts. Environmental theory, the Hollywood and Bollywood film industries, detective fiction, children's literature, and the politics of postcolonialsim, are examined. Offering stimulating critical analyses for students of Shakespeare, contemporary fiction, and gender studies, this work provides a pertinent introduction to the emergent genre of appropriation.
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allusion Angela Carter appropriation Arden Ariel Arrowby associations Atkinson audience Black Prince Bombay Ice Bremster Place Caliban canon Carter central characters Chedgzoy Christina comic context Cordelia critical cultural daughter deployed described Dora Dora's Dream early modern Elaine Fairly Honourable Defeat father female feminist fiction film genre Ginny Goneril Hamlet Human Croquet Indigo intertext island Isobel Jessica Jong's Juggling Julius Kate Atkinson King King Lear late plays Lear literary magic Mama Day Melchior Midsummer Night's Dream Miranda mother Murdoch narrative narrator Naylor's novel patriarchal postcolonial Prospero protagonist provides reader reference relationship rewriting Ros's scene seems sexual Shake Shakespeare Shakespearean comedy sister Smiley Smiley's sonnets speare spearean stage story structure Sycorax Tempest theatre theatrical themes Thousand Acres tragedy tragic Trapido Twelfth Night twins unreliable narrator voice Warner Winter's Tale Wise Children women writers