Longfellow ReduxUniversity of Illinois Press, 2006 - 350 頁 "Longfellow turns 200 in 2007, and the time has come to take another look at the most popular poet America has ever produced. Christoph Irmscher's new book dispenses with the modern prejudice against Longfellow as the mere purveyor of literary comfort food. By examining Longfellow's unpublished papers alongside letters written by his fans at home and abroad, Irmscher offers a view of the poet's intense connection with his audience. In chapters about Longfellow's idea of authorship, his travels, and his translations, Irmscher shows that the cosmopolitan Longfellow saw literature as a transnational conversation that also crosses social and linguistic boundaries." "Longfellow Redux is the first book-length study in several decades to cover Longfellow's entire body of work and its many contexts (personal, social, literary, and historical). It contains numerous illustrations, including previously unpublished pencil sketches by Longfellow himself."--BOOK JACKET. |
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第 1 到 3 筆結果，共 42 筆
第 158 頁
... eyes , Better than with mine own . ( 3:86 ) Rather than merely a biographical fact , travel in Longfellow's work became a complex metaphor for an author's refusal to let himself be limited by language or place . As we shall see ...
... eyes , Better than with mine own . ( 3:86 ) Rather than merely a biographical fact , travel in Longfellow's work became a complex metaphor for an author's refusal to let himself be limited by language or place . As we shall see ...
第 215 頁
... eyes . The past has , almost imperceptibly , become the present , but a present that also will soon be past . The carefully crafted language of the sonnet shows how hard Longfellow has worked to give substance , if only temporarily , to ...
... eyes . The past has , almost imperceptibly , become the present , but a present that also will soon be past . The carefully crafted language of the sonnet shows how hard Longfellow has worked to give substance , if only temporarily , to ...
第 264 頁
... eyes were shining more than any star ” ( “ Lucevan gli occhi suoi più che la stella ” ) in Inferno 2 became " Her eyes were shining brighter than the stars , " a line that has the same number of syllables as the previous version but ...
... eyes were shining more than any star ” ( “ Lucevan gli occhi suoi più che la stella ” ) in Inferno 2 became " Her eyes were shining brighter than the stars , " a line that has the same number of syllables as the previous version but ...
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anthology Appleton artist Arvin authorship beautiful Boston Byron Cambridge chapter Charley Children's Hour critics cultural Dante Dante's death December Divine Comedy edition Emerson English essay Evangeline example Excelsior Fanny father fellow FIGURE foreign French George George Washington Greene German gondolier Harvard University Henry Wadsworth Longfellow Hiawatha Houghton bMS Houghton Library imagination Indian Inferno Italian Italian Language Italy James John Kéramos language Letters lines literary Longfel Longfellow Papers Longfellow's poem Longfellow's translation Margaret Fuller Merrythought Messedaglia Michelangelo native never Newton Arvin novel original Outre-Mer Pamphile Le parody Peter Piper Peter Quince Poems of Places poet's poetic Poetry of Europe Poets and Poetry published readers rhyme Schoolcraft seems Sigourney Siller Song Song of Hiawatha sonnet story thought Ticknor tion Toni Toscan trans University Press Venice verse voice volume Whitman words writing written wrote York