Shakespeare and the Confines of ArtMethuen, 1968 - 170 頁 |
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第 1 到 3 筆結果,共 20 筆
第 42 頁
... speech ) . He has already given the true justification in IV , iii , 212-16 : As true we are as flesh and blood can be . The sea will ebb and flow , heaven show his face ; Young blood doth not obey an old decree . We cannot cross the ...
... speech ) . He has already given the true justification in IV , iii , 212-16 : As true we are as flesh and blood can be . The sea will ebb and flow , heaven show his face ; Young blood doth not obey an old decree . We cannot cross the ...
第 98 頁
... speech on ' degree ' . Commentators are only just be- ginning to see this speech which , when extracted , is an admirable poetic statement of Elizabethan ideas as a speech spoken by a dramatic character at a particular moment for his ...
... speech on ' degree ' . Commentators are only just be- ginning to see this speech which , when extracted , is an admirable poetic statement of Elizabethan ideas as a speech spoken by a dramatic character at a particular moment for his ...
第 128 頁
... speech . An actor has within a dozen lines the very fluctuations and contradictions that make personality . There are not so many plays in which we can find as we constantly find in Lear's speeches the composite quality of always ...
... speech . An actor has within a dozen lines the very fluctuations and contradictions that make personality . There are not so many plays in which we can find as we constantly find in Lear's speeches the composite quality of always ...
內容
The Contrary Valuations page | 1 |
The Sonnets to the Dark Woman | 17 |
Loves Labours Lost | 33 |
著作權所有 | |
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