Shakespeare and the Confines of ArtMethuen, 1968 - 170 頁 |
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第 1 到 3 筆結果,共 23 筆
第 34 頁
... audience . The afternoon on which the comedy is played is indeed holiday . The tonic of laughter is the release from the tyr- anny of the actual . Plays like Comedy of Errors and As You Like It dissolve our own difficulties and ...
... audience . The afternoon on which the comedy is played is indeed holiday . The tonic of laughter is the release from the tyr- anny of the actual . Plays like Comedy of Errors and As You Like It dissolve our own difficulties and ...
第 85 頁
... audience , and the real audience see themselves as actors , or puppets watched over by cynical observers from the underworld . In Hamlet , too , the ' play ' at the end ( the fencing - match ) be- comes , like Hieronimo's play , the ...
... audience , and the real audience see themselves as actors , or puppets watched over by cynical observers from the underworld . In Hamlet , too , the ' play ' at the end ( the fencing - match ) be- comes , like Hieronimo's play , the ...
第 152 頁
... audience . This masque of blessing is as we have seen a quite in- dispensable moment in the progress of the play : it is an integral part of what Shakespeare is ' putting on ' . Prospero suddenly dis- misses his actors , remembering the ...
... audience . This masque of blessing is as we have seen a quite in- dispensable moment in the progress of the play : it is an integral part of what Shakespeare is ' putting on ' . Prospero suddenly dis- misses his actors , remembering the ...
內容
The Contrary Valuations page | 1 |
The Sonnets to the Dark Woman | 17 |
Loves Labours Lost | 33 |
著作權所有 | |
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