Shakespeare and the Confines of ArtMethuen, 1968 - 170 頁 |
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第 1 到 3 筆結果,共 7 筆
第 135 頁
... Timon is not large , and by including artists Shakespeare seems to mount a special attack against them . Does he ... Timon of the last scenes , supposedly immune from the frailty of his kind , inveighing against the vices of others . The ...
... Timon is not large , and by including artists Shakespeare seems to mount a special attack against them . Does he ... Timon of the last scenes , supposedly immune from the frailty of his kind , inveighing against the vices of others . The ...
第 137 頁
... Timon . The gold itself , discovered by Timon as he digs for roots , is rough and ready symbolism . Financially ruined , he suddenly finds lumps of that which would restore him . But in the new understanding , it is not a restorative ...
... Timon . The gold itself , discovered by Timon as he digs for roots , is rough and ready symbolism . Financially ruined , he suddenly finds lumps of that which would restore him . But in the new understanding , it is not a restorative ...
第 138 頁
... Timon's spirit , but the melting mood in the ending could not be better conveyed . ( Wilson Knight , in his impassioned but striking essay on Timon in The Wheel of Fire believed that the ' faults forgiven ' were Timon's faults , but it ...
... Timon's spirit , but the melting mood in the ending could not be better conveyed . ( Wilson Knight , in his impassioned but striking essay on Timon in The Wheel of Fire believed that the ' faults forgiven ' were Timon's faults , but it ...
內容
The Contrary Valuations page | 1 |
The Sonnets to the Dark Woman | 17 |
Loves Labours Lost | 33 |
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