Shakespeare and the Confines of ArtMethuen, 1968 - 170 頁 |
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第 1 到 3 筆結果,共 29 筆
第 37 頁
... Lost is an early play , and Pericles and The Winter's Tale are late plays is an oddity . Yet the primitiveness of these mature plays could not exist if there had not been the sophistication of that early play . Love's Labour's Lost is ...
... Lost is an early play , and Pericles and The Winter's Tale are late plays is an oddity . Yet the primitiveness of these mature plays could not exist if there had not been the sophistication of that early play . Love's Labour's Lost is ...
第 47 頁
... Lost : but the humour depends on a scepticism of a kind of comedy whose function is to despise death and belittle its power . The play ends with music and song ... Lost are simply not real enough to permit moral Love's Labour's Lost 47.
... Lost : but the humour depends on a scepticism of a kind of comedy whose function is to despise death and belittle its power . The play ends with music and song ... Lost are simply not real enough to permit moral Love's Labour's Lost 47.
第 48 頁
... Lost is not between immaturity and maturity in love , but , as Miss Roesen has made clear , between the illusion of the world of art , and reality.24 By a device of art , Shakespeare tries to subject the world of art to evaluation in ...
... Lost is not between immaturity and maturity in love , but , as Miss Roesen has made clear , between the illusion of the world of art , and reality.24 By a device of art , Shakespeare tries to subject the world of art to evaluation in ...
內容
The Contrary Valuations page | 1 |
The Sonnets to the Dark Woman | 17 |
Loves Labours Lost | 33 |
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