Shakespeare's Webs: Networks of Meaning in Renaissance DramaPsychology Press, 2004 - 168页 In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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常见术语和短语
anamorphic Antonio Antonio Damasio bell Bolingbroke Brutus Caesar called candles Capulet cartographic Cassius cell Claudius clock cock cognitive linguistics cognitive science commonplace concept Cordelia court cultural daughter death Desdemona doth Duke Edgar Elizabethan England English eyes father fear Figure Folger Shakespeare Library Friar Gertrude give glass Gloucester Goneril Hamlet hand hath haue Henry Hotspur hour Iago John John Norden Kent kind King Hamlet King Lear kingdom Lady land Lear's London looking lord Love's Labour's Lost Macbeth marginal marginalia material means measure memory mind mirror neurons night notes objects observation Ophelia Orloger Othello painted patterns play play's playgoers Polonius Portia portrait practice prayer Prince reflection Regan Richard II Romeo and Juliet Saxton scene semiosis sense Shakespeare's soul stage tells thee things Thomas thou thought tion turn two-hours Venice Verona Windsor words writes