In good set terms, and yet a motley fool. 20 Thus we may see," quoth he, "how the world wags: And after one hour more 'twill be eleven; 25 And so, from hour to hour, we ripe and ripe And then from hour to hour, we rot and rot, And thereby hangs a tale." When I did hear An hour by his dial. O noble fool! A worthy fool! Motley's the only wear. 30 18. quoth I] in parentheses Ff. 31. deep contemplative] with hyphen Malone. 34, 36. A worthy... O worthy] O worthy... A worthy Anon. conj. ap. Cambridge edd. here referred to. Compare Jonson, Every Man Out of His Humour, 1. i. :— Sogliardo. Why, who am I, sir? Macilente. One of those whom fortune favours. Carlo [aside]. The periphrasis of a fool." 20. dial] Either a portable sun-dial, common in Shakespeare's day, or a watch. Knight describes the former; in support of the latter, Wright cites Richard II. v. v. 53:— "And with sighs they jar Their watches on unto mine eyes, the outward watch, Whereto my finger, like a dial's point, Is pointing still, in cleansing them from tears." 20. poke] Cotgrave gives "Poche: A pocket, pouch or poke." The word is still in use in Northern England. 23. wags] goes along, proceeds. Cp. Merry Wives of Windsor, 11. i. 238: "I will provoke him to't, or let him wag.' 26. ripe] Cp. Midsummer Night's Dream, 11. ii. 118: "So I, being young, till now ripe not to reason." New Eng. Dict. gives examples both of the literal and figurative uses of the word: J. Heywood, Spider and Fly, 1. 2:— "What time every growing thinge That ripeth by roote," and Donne, Poems (1635), 386 :— "Till death us lay To ripe and mellow here, we are stubborne clay." 29. moral] either an adjective or a verb, equivalent to "moralise." Compare Othello, II. iii. 301: "You are too severe a moraler," i.e. moraliser. The comma in the Ff readings after moral indicates either a metrical pause or an emphasis. See Simpson, Shakespearian Punctuation, 1911, 24 et seq. 30. crow] to laugh loudly. Compare Two Gentlemen of Verona, II. i. 28, and Twelfth Night, I. v. 95. 30. chanticleer] See Chaucer Nun's Priest's Tale, 29. Middle English Chaunte-cleer, clear singing (Skeat, s.v.). 32. sans] New Eng. Dict. states that this word before Shakespeare was almost exclusively used with substantives adopted from old French, in collocations already formed in that language, as sans delay, sans doubt, sans fable, sans pity, sans return. became for a time an actual English word; Florio gives Senza, sans, without, besides." 66 It 34. the only wear] the only dress in Duke S. What fool is this? Jaq. O worthy fool! One that hath been a courtier, After a voyage, he hath strange places cramm'd Duke S. Thou shalt have one. Jaq. It is my only suit; To blow on whom I please; for so fools have; They most must laugh. And why, sir, must they so? He that a fool doth very wisely hit Doth very foolishly, although he smart, 35 40 45 50 55. Not to] Theobald; omitted Ff; But to Collier MS. fashion (Wright). Compare All's Well that Ends Well, 1. i. 172: "Just like the brooch and toothpick, which wear not now," and 2 Henry IV. 11. i. 155: "Glasses, glasses is the only drinking." 39. dry] In the physiology of Shakespeare's time a dry brain accompanied slowness of apprehension and a retentive memory (Wright). He quotes Batman uppon Bartholome, fol. 376: "When he hath taken and received them, [the feeling and printing of things] he keepeth them long in minde. And that is signe and token of drinesse, as fluxibility & forgetting is token of moisture." 39. remainder biscuit] Boswell quotes Jonson, Every Man Out of His Humour (Induction): "And now and then breaks a dry biscuit jest." Compare also Cymbeline, v. iii. 44: "fragments in hard voyages." 40. places] topics, loci communes. Wright quotes Bacon, Advancement, II. 13, 7:"And we see the ancient 55 writers of rhetoric do give it in precept, that pleaders should have the places, whereof they have most continual use, ready handled in all the variety that may be." Compare "Wise saws and modern instances," post, and Pettie, Guazzo's Civill Conversation (ed. 1586), p. 56: "I never learned the places from whence arguments are drawen" (New Eng. Dict.). 44. only suit] A play upon the meanings "dress" and "petition." For only" compare ante, II. vii. 34: "the only wear.' 48: 48. charter] Compare Henry V. 1. i. "When he speaks, The air, a chartered libertine, is The wise man's folly is anatomized Even by the squand'ring glances of the fool. Invest me in my motley; give me leave To speak my mind, and I will through and through If they will patiently receive my medicine. Duke S. Fie on thee! I can tell what thou wouldst do. And all th' embossed sores and headed evils, 56. wise man's] Rowe; with hyphen Ff. 66. sting] sty Johnson conj. to" has been very generally adopted, "He, that a fool doth very wisely hit, Seem senseless of the bob; and explains, "a wise man, whose failings should chance to be well rallied by a simple unmeaning jester, even though he should be weak enough really to be hurt by so foolish an attack, appears always insensible of the stroke." Ingleby (Shakespeare Hermeneutics, p. 81) also defends the old reading, by attempting to show that the fool scores whether the wise man shows his displeasure at the fool's hit or not. The passage repeats the idea of, and explains the lines, "And they . must laugh." If " they that are most galled with my folly do not laugh, then their folly is anatomised." 57. squand'ring] scattered at random. Compare Merchant of Venice, 1. iii. 22: "Other ventures he hath squandered abroad." 57. glances] glancing blows, side hits. Compare Bacon, Advancement, 60 65 1. vii. 8: "Silenus was gravelled .. "Will you with counters sum The past proportion of his infinite?" Hence Jaques' wager is not particularly serious. 66. brutish sting] Johnson, unnecessarily, suggests "brutish sty." It means the urging of merely animal passion. Compare Othello, I. iii. 335: "But we have reason to cool our raging motions, our carnal stings." 67. embossed] A probable combination of (1) the hunting term applied to a deer foaming at the mouth when exhausted and at bay. Compare Taming of the Shrew, 1. i. 17: "The poor cur is embossed" (O.F. embosquer, to shroud in a wood), and (2) emboss, to adorn with raised bosses (O.F. bosse): see Skeat, s.v. Compare also King Lear, II. iv. 227: "A plague-sore, an embossed carbuncle." 67. headed evils] sores grown to a head. Walker notes an old use of "evil," still extant in "King's evil." Jaq. Why, who cries out on pride, That can therein tax any private party? 70 Till that the wearer's very means do ebb? 75 When such a one as she such is her neighbour? That says his bravery is not on my cost, 80 Thinking that I mean him, but therein suits His folly to the mettle of my speech? My tongue hath wrong'd him: if it do him right, There then; how then? what then? Let me see wherein Then he hath wrong'd himself; if he be free, Enter ORLANDO, with his sword drawn. Why, I have eat none yet. Orl. Forbear, and eat no more. Or else a rude despiser of good manners, 85 90 73. wearer's very means] Singer and edd.; weary very means Ff 3, 4 (meanes F 3); wearie verie meanes Ff 1, 2; very very means Pope and edd.; very wear. ing means Collier conj.; very means of wear Collier MS.; weary-very or veryweary means Staunton conj.; tributary streams Lloyd conj. ap. Cambridge edd. 83. There then; how then? what then?] Theobald; There then, how then, what then Ff; There then; How, what then? Capell. what then? Let] Let me then Hanmer. 87. Enter .] Theobald; Enter Orlando Ff. 89. not] 90. Of what] What Johnson. come of] come Rowe. thou Johnson. 71. tax] Compare post, line 86, and ante, 1. ii. 78. 73. wearer's very means] Perhaps the least unsatisfactory reading. Whiter explains the original as "Till the very means being weary do ebb." Other suggestions are mains," i.e. main flood, or spring tide (Notes and Queries, V. v. 143), and "mears," i.e. boundaries or limits (ib. 345). 66 85. free] innocent, as in Hamlet, 11. ii. 590: "Make mad the guilty and appal the free." In this sense the word is obsolete, the last example in New Eng. Dict. being from Dryden and Lee's Oedipus, 1678. 93. civility] in a higher sense than the modern; more than mere "politeness," rather the body of observances, the code of good manners, used by well-nurtured people. Compare (title) "Civil Conversation (Conversazione civile) of Stephano Guazzo," and Spenser, Faerie Queene, vi. Int. iv.: Orl. You touch'd my vein at first; the thorny point Till I and my affairs are answered. 95 Jaq. An you will not be answer'd with reason, I must die. 100 Duke S. What would you have? Your gentleness shall force More than your force move us to gentleness. Orl. I almost die for food; and let me have it. Orl. Speak you so gently? Pardon me, I pray you : 105 Of stern commandment. But whate'er you are If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear 115 And know what 'tis to pity and be pitied, In the which hope I blush and hide my sword. Duke S. True is it that we have seen better days, And have with holy bell been knoll'd to church 120 95. hath] that hath Ff 2-4. 100. An... die] As Capell; Ff divide at reason, die. An] Capell; And Ff, Rowe; If Pope. IOI, 102. What . . . gentleness] As Pope; Ff divide at have? your force, gentleness. 108. commandment] commandment Ff. 116. know] known Hanmer. 118. blush] F 1; bush Ff 2-4. Wright notes that the apostrophe (command'ment) in Ff readings is a relic of the quadrisyllabic form of the word which exists in The Passionate Pilgrim, 418: "If to women he be bent They have at commandement." 120. knoll'd] Compare Macbeth, v. viii. 50: "His knell is knoll'd." Cotgrave gives "Carillonner: to chyme, or knowle, bells," but "Carillon: A chyming of bells, a knell," showing the forms interchangeable. Compare also Two Noble Kinsmen, I. i. 133: "Remember that your fame knolls in th' ear o' the world." |