Hollywood Be Thy Name: African American Religion in American Film, 1929–1949University of California Press, 2007年6月8日 - 355 頁 From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways. |
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第 2 頁
... possible that the theater added a choir performance not only in response to audi- ences' enthusiastic support for the film as entertainment but also in recognition of some general sense among its patrons that the event was a religious ...
... possible that the theater added a choir performance not only in response to audi- ences' enthusiastic support for the film as entertainment but also in recognition of some general sense among its patrons that the event was a religious ...
第 15 頁
... possible in the movie house . For the most part , the movie fare offered in churches remained limited to films with religious themes and stories deemed appropriate for the particular venue . The California Eagle reported in 1936 that ...
... possible in the movie house . For the most part , the movie fare offered in churches remained limited to films with religious themes and stories deemed appropriate for the particular venue . The California Eagle reported in 1936 that ...
第 19 頁
... possible for him to direct a film that he had long wanted to make.1 Synchronous sound, in which the dialogue or singing corresponds with the movements of the actors' lips, had only begun to make its way into American feature films since ...
... possible for him to direct a film that he had long wanted to make.1 Synchronous sound, in which the dialogue or singing corresponds with the movements of the actors' lips, had only begun to make its way into American feature films since ...
第 24 頁
... possible continuation of traditional patterns. Not long after the release of The Jazz Singer, the Pittsburgh Courier predicted that silent films would soon be a thing of the past and wondered whether sound would portend a change for ...
... possible continuation of traditional patterns. Not long after the release of The Jazz Singer, the Pittsburgh Courier predicted that silent films would soon be a thing of the past and wondered whether sound would portend a change for ...
第 54 頁
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內容
1 | |
19 | |
2 De Lawd a Natchel Man | 52 |
3 A Mighty Epic of Modern Morals | 88 |
4 Saturday Sinners and Sunday Saints | 130 |
5 A Long Long Way | 163 |
6 Why Didnt They Tell Me Ima Negro? | 204 |
Conclusion | 235 |
Filmography | 239 |
Notes | 241 |
Select Bibliography | 319 |
Index | 331 |
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African Amer African American African American religion AMPAS Angeles argued Bible black churches black press black religious black-audience films Blood of Jesus Broadway Cabin California Eagle cast censors characters Chicago Defender Chick choir Christian Cinema colored congregation Connelly's context Cripps critics director emphasized entertainment Ethel Waters Eva Jessye figure film's filmmakers Gertie gious Going to Glory Goldberg Green Pastures Hallelujah Harlem Hollywood Ibid ican images Ingram insisted issues King Vidor Lawd Lost Boundaries Marc Connelly March Martha Metro-Goldwyn-Mayer Micheaux minister Minnelli moral Motion Picture MPPDA NACP narrative Negro Soldier nightclub performance Pittsburgh Courier play present Production Code race movies racial release reli representations of African Robeson Sack Amusement Enterprises scene Scott screen script sermon sexual singing Sky file social Spencer Williams spiritual story studio Tales of Manhattan theater tion University Press urban viewers Warner Bros Werker Williams's wrote York Amsterdam Zeke
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第 162 頁 - For I know this, that after my departing shall grievous wolves enter in among you, not sparing the flock. Also of your own selves shall men arise, speaking perverse things, to draw away disciples after them.
第 317 頁 - It cannot be put out of view that the exhibition of moving pictures is a business, pure and simple, originated and conducted for profit...
第 162 頁 - God that made the world, and all things therein, seeing that he is Lord of heaven and earth, dwelleth not in temples made with hands...
第 315 頁 - Once to every man and nation comes the moment to decide, In the strife of truth with falsehood, for the good or evil side; Some great cause, God's New Messiah, offering each the bloom or blight, Parts the goats upon the left hand and the sheep upon the right; And the choice goes by forever 'twixt that darkness and that light.
第 315 頁 - Truth forever on the scaffold, Wrong forever on the throne,— Yet that scaffold sways the future, and, behind the dim unknown, Standeth God within the shadow, keeping watch above his own.
第 162 頁 - Wherefore I take you to record this day, that I am pure from the blood of all men : For I have not shunned to declare unto you all the counsel of God.
第 70 頁 - Unburdened by the differences of more educated theologians they accept the Old Testament as a chronicle of wonders which happened to people like themselves in vague but actual places, and of rules of conduct, true acceptance of which will lead them to a tangible, three-dimensional Heaven.
第 317 頁 - ... a significant medium for the communication of ideas. They may affect public attitudes and behavior in a variety of ways, ranging from direct espousal of a political or social doctrine to the subtle shaping of thought which characterizes all artistic expression. The importance of motion pictures as an organ of public opinion is not lessened by the fact that they are designed to entertain as well as to inform.
第 205 頁 - The pervasive gap between our aims and what we actually do is creating a kind of moral dry rot which eats away at the emotional and rational bases of democratic beliefs.