Elements of Criticism, 第 2 卷Liberty Fund, 2005 - 821 頁 |
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第 525 頁
... thou beat heav'n with blessing Bolingbroke Before he was what thou wou'dst have him be ? And now being trimm'd up in thine own desires , Thou , beastly feeder , art so full of him , That thou provok'st thyself to cast him up . And so , thou ...
... thou beat heav'n with blessing Bolingbroke Before he was what thou wou'dst have him be ? And now being trimm'd up in thine own desires , Thou , beastly feeder , art so full of him , That thou provok'st thyself to cast him up . And so , thou ...
第 556 頁
... thou Wast shot at with fair eyes , to be the mark < 257 > Of smoky muskets ? O you leaden messengers , That ride ... thou roll with all thy foam , thou roaring sea of Ullin ? why do ye rustle on your dark wings , ye whistling tempests of ...
... thou Wast shot at with fair eyes , to be the mark < 257 > Of smoky muskets ? O you leaden messengers , That ride ... thou roll with all thy foam , thou roaring sea of Ullin ? why do ye rustle on your dark wings , ye whistling tempests of ...
第 557 頁
... thou retire from thy course , when the darkness of thy countenance grows ? Hast thou thy hall like Ossian ? Dwellest thou in the shadow of grief ? Have thy sisters fallen from heaven ? and are they who rejoiced with thee at night no ...
... thou retire from thy course , when the darkness of thy countenance grows ? Hast thou thy hall like Ossian ? Dwellest thou in the shadow of grief ? Have thy sisters fallen from heaven ? and are they who rejoiced with thee at night no ...
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abstract accent action admit Aeneid agreeable allegory appear beauty blank verse capital chap circumstance colour comparison composition confined connected couplet Demetrius Phalereus distinguished effect elevation emotions epic poem epic poetry equally expression figure of speech Fingal following examples foregoing garden give hath Hence Henry Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression Julius Caesar kind language less light long syllable manner means melody metaphor mind motion nature never o'er object observed ornaments Paradise Lost passion pause peculiar perceive perception period personification pleasure poet principal pronounced proper proportion reader reason regularity relation relish representation resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sound Spectator Spondees substantive sweet taste termed thee thing thou thought tragedy tree unity variety verb verse words writers