Elements of Criticism, 第 2 卷Liberty Fund, 2005 - 821 頁 |
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第 1 到 3 筆結果,共 48 筆
第 423 頁
... requires the chief part to be named first : for that reason we begin with the shaft ; and the base comes next in order , that we may ascend from it to the capital . Lastly , In tracing the particulars of any natural opera- tion , order ...
... requires the chief part to be named first : for that reason we begin with the shaft ; and the base comes next in order , that we may ascend from it to the capital . Lastly , In tracing the particulars of any natural opera- tion , order ...
第 441 頁
... requires . A pause of the second kind , being determined by the melody , is in no degree arbitrary . The last sort is in a measure arbitrary , depending on the reader's command of breath . But as one cannot read with grace , unless ...
... requires . A pause of the second kind , being determined by the melody , is in no degree arbitrary . The last sort is in a measure arbitrary , depending on the reader's command of breath . But as one cannot read with grace , unless ...
第 458 頁
... require but a comma after the fourth , fifth , sixth , or seventh syllable , it is sufficient for the musical pause ... requires none . We must not however imagine , that a musical pause may come after any word indiffer- ently : some ...
... require but a comma after the fourth , fifth , sixth , or seventh syllable , it is sufficient for the musical pause ... requires none . We must not however imagine , that a musical pause may come after any word indiffer- ently : some ...
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abstract accent action admit Aeneid agreeable allegory appear beauty blank verse capital chap circumstance colour comparison composition confined connected couplet Demetrius Phalereus distinguished effect elevation emotions epic poem epic poetry equally expression figure of speech Fingal following examples foregoing garden give hath Hence Henry Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression Julius Caesar kind language less light long syllable manner means melody metaphor mind motion nature never o'er object observed ornaments Paradise Lost passion pause peculiar perceive perception period personification pleasure poet principal pronounced proper proportion reader reason regularity relation relish representation resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sound Spectator Spondees substantive sweet taste termed thee thing thou thought tragedy tree unity variety verb verse words writers