Elements of Criticism, 第 2 卷Liberty Fund, 2005 - 821 頁 |
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第 1 到 3 筆結果,共 52 筆
第 438 頁
... impression . To produce that impression , va- riety is necessary as well as number : the successive sounds or syllables , must be some of them long , some of them short ; and if also high and low , the music is the more perfect . The ...
... impression . To produce that impression , va- riety is necessary as well as number : the successive sounds or syllables , must be some of them long , some of them short ; and if also high and low , the music is the more perfect . The ...
第 680 頁
... impressions made upon the audience , but also prepares their hearts finely for new impressions . In our theatres , on the contrary , the audience , at the end of every act , being left to trifle time away , lose every warm impression ...
... impressions made upon the audience , but also prepares their hearts finely for new impressions . In our theatres , on the contrary , the audience , at the end of every act , being left to trifle time away , lose every warm impression ...
第 732 頁
... impression : in touch- ing , in tasting , and in smelling , we are sensible of the impression ; but not in seeing and hearing . We know indeed from experiments , that before we perceive a visible object , its image is spread upon the ...
... impression : in touch- ing , in tasting , and in smelling , we are sensible of the impression ; but not in seeing and hearing . We know indeed from experiments , that before we perceive a visible object , its image is spread upon the ...
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常見字詞
abstract accent action admit Aeneid agreeable allegory appear beauty blank verse capital chap circumstance colour comparison composition confined connected couplet Demetrius Phalereus distinguished effect elevation emotions epic poem epic poetry equally expression figure of speech Fingal following examples foregoing garden give hath Hence Henry Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression Julius Caesar kind language less light long syllable manner means melody metaphor mind motion nature never o'er object observed ornaments Paradise Lost passion pause peculiar perceive perception period personification pleasure poet principal pronounced proper proportion reader reason regularity relation relish representation resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sound Spectator Spondees substantive sweet taste termed thee thing thou thought tragedy tree unity variety verb verse words writers