The Crimson Letter: Harvard, Homosexuality, and the Shaping of American CultureSt. Martin's Publishing Group, 2004年6月1日 - 416 頁 In a book deeply impressive in its reach while also deeply embedded in its storied setting, bestselling historian Douglass Shand-Tucci explores the nature and expression of sexual identity at America's oldest university during the years of its greatest influence. The Crimson Letter follows the gay experience at Harvard in the nineteenth and twentieth centuries, focusing upon students, faculty, alumni, and hangers-on who struggled to find their place within the confines of Harvard Yard and in the society outside. |
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... Robert K. Martin, a literary critic and professor of English at the University of Montreal, has declared that its great import lay in the fact that it was the keystone in Whitman's overarching, lifelong vocation: to name same-sex love ...
... ” It is perhaps not surprising, therefore, that Robert K. Martin has written: The Transcendentalists were the first group in America to explore the relations between persons of the same sex, and they did so through their understanding.
... Robert D. Richardson, “found himself strangely and powerfully attracted by a new freshman named Martin Gay,” at whom he found himself looking and looking, and Gay, it would seem, looking back. “The disturbing power of the glances”13 ...
... Robert K. Martin's words, the “identification of the gay man with the masculine,” in a distinctively American way. Whitman, declares Martin, “creat[ed] a figure of masculinity that could free him [the American] from association with the ...
... ? Better yet, consider Robert K. Martin's sage remark of what a tip-off it is when someone is prepared to “assume that anyone is heterosexual until there is proof, not of homosexual feelings, but of homosexual (i.e., genital)
內容
Oscar Wildes Harvard | |
II HOME AND AWAY | |
Ohio Hellenist | |
Left Bank Red Square Harlem Greenwich Village | |
Transcontinental Homophile | |
Boston New York Washington A Rumor of Angels | |
ALSO BY DOUGLASS SHANDTUCCI | |
Notes | |
Notes for the Illustrations | |