Change of Mind in Greek TragedyVandenhoeck & Ruprecht, 1995 - 286 頁 |
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第 1 到 3 筆結果,共 45 筆
第 50 頁
... move an audience to some emotional response or other.71 For a long time , the best contributions to the study of characterization have been insisting that it is vain to isolate character , plot , language , significant action , meaning ...
... move an audience to some emotional response or other.71 For a long time , the best contributions to the study of characterization have been insisting that it is vain to isolate character , plot , language , significant action , meaning ...
第 51 頁
... move in each individual case ; we will not always succeed . When a divinity intervenes to move a character directly , I would call this motivation because force is brought to bear directly on the individual , but as either the divinity ...
... move in each individual case ; we will not always succeed . When a divinity intervenes to move a character directly , I would call this motivation because force is brought to bear directly on the individual , but as either the divinity ...
第 233 頁
... move Iphigenia by more powerful if only implicit motivation , I would like to consider here a new solution that enhances the motivation Lesky found with what I would call a motif . Sansone 1991 also argues that Iphigenia is moved by ...
... move Iphigenia by more powerful if only implicit motivation , I would like to consider here a new solution that enhances the motivation Lesky found with what I would call a motif . Sansone 1991 also argues that Iphigenia is moved by ...
常見字詞
Achilles action Admetus Aeschylus Agamemnon Ajax Alcestis Antigone Apollo argument Aristotelian Aristotle Athenian Athens audience avoid believe Blundell Burnett change of mind chapter character characterization chorus Clytemnestra conflict context Creon Creusa criticism death deception decision Deianeira Dionysus discussion divine dramatic earlier Electra Erinyes Euripidean Euripides example fact father finally focus Funke further Greek tragedy Hecuba Helen Heracles heroic temper Hippolytus intentions interpretation intrigue Ion's Iphigenia in Aulis issue Knox later Lesky lines marriage meaning Medea Menelaus metaphor monody moral motif motivation move Neoptolemus occur Odysseus Oedipus Orestes passage patterns persuasion Phaedra Philoctetes play play's plot possible prologue psychological question reluctance remains response reveal reversal rhetorical sacrifice says scene secret seems situation Sophoclean Hero Sophocles speak speech stage stasimon suggest suicide Taplin technique Tecmessa thematic theme Theseus Tiresias tradition tragic words Xuthus Yunis Zeus γὰρ δὲ καὶ κακῶν τὸ