Shakespeare and the Poet's LifeUniversity Press of Kentucky, 1990 - 250 頁 Arthur Penn: American Director is the comprehensive biography of one of the twentieth centuryÕs most influential filmmakers. Thematic chapters lucidly convey the story of PennÕs life and career, as well as pertinent events in the history of American film, theater, and television. In the process of tracing the full spectrum of his career, Arthur Penn reveals the enormous scope of PennÕs talent and his profound impact on the entertainment industry in an accessible, engaging account of the well-known directorÕs life. Born in 1922 to a family of Philadelphia immigrants, the young Penn was bright but aimlessÑespecially compared to his talented older brother Irving, who would later become a world-renowned photographer. Penn drifted into directing, but he soon mastered the craft in three mediums: television, Broadway, and motion pictures. By the time he made Bonnie and Clyde (1967), Penn was already a Tony-winning Broadway director and one of the prodigies of the golden age of television. His innovative handling of the story of two Depression-era outlaws not only challenged HollywoodÕs strict censorship code, it shook the foundation of studio system itself and ushered in the film revolution. His next filmsÑAliceÕs Restaurant (1969), Little Big Man (1970), and Night Moves (1975)Ñbecame instant classics, summoning emotions from shock to sensuality and from confusion to horror, all of which reflected the complexity of the man behind the camera. The personal and creative odyssey captured in these pages includes memorable adventures in World War II; the chaotic days of live television; the emergence of Method acting in Hollywood; and experiences with Marlon Brando, Anne Bancroft, Warren Beatty, William Gibson, Lillian Hellman, and a host of other show business legends. |
搜尋書籍內容
第 1 到 5 筆結果,共 93 筆
第 2 頁
... plays as a rhetorical point of departure or arrival . Every one of Shakespeare's works figures at some point in the ... play , describes this fame and must strike us as startlingly specific : " And Shakespeare thou , whose hony ...
... plays as a rhetorical point of departure or arrival . Every one of Shakespeare's works figures at some point in the ... play , describes this fame and must strike us as startlingly specific : " And Shakespeare thou , whose hony ...
第 3 頁
... play ) : " I have Pisa left / And am to Padua come , as he that leaves / A shallow plash to plunge him in the deep , / And with satiety seeks to quench his thirst " ( 1.1.21-24 ) . And satiety — whether of taffeta phrases in Love's ...
... play ) : " I have Pisa left / And am to Padua come , as he that leaves / A shallow plash to plunge him in the deep , / And with satiety seeks to quench his thirst " ( 1.1.21-24 ) . And satiety — whether of taffeta phrases in Love's ...
第 5 頁
... play of the 1590s in which Surrey says , " Oh , my Lord , you tax me / In that word poet of much idleness : / It is a studie that makes poore our fate , " and Sir Thomas More replies , " This is noe age for poets . " 12 It should be ...
... play of the 1590s in which Surrey says , " Oh , my Lord , you tax me / In that word poet of much idleness : / It is a studie that makes poore our fate , " and Sir Thomas More replies , " This is noe age for poets . " 12 It should be ...
第 6 頁
... playing . But Shakespeare's experience as a dramatist has been studied hitherto by numerous scholars from Bentley , Bradbrook , Harbage and Bethell to Rabkin , Gurr , Wickham , Weimann , and Barish , to name but a few of the more ...
... playing . But Shakespeare's experience as a dramatist has been studied hitherto by numerous scholars from Bentley , Bradbrook , Harbage and Bethell to Rabkin , Gurr , Wickham , Weimann , and Barish , to name but a few of the more ...
第 8 頁
... Play ( 1962 ) . Though metadramatic criticism often veers into discourse on the hermeneutics and ontology of the theatrical experi- ence , the genre's less theoretical and more sociological manifestations will be found relevant to much ...
... Play ( 1962 ) . Though metadramatic criticism often veers into discourse on the hermeneutics and ontology of the theatrical experi- ence , the genre's less theoretical and more sociological manifestations will be found relevant to much ...
內容
Thou Thing Most Abhorred The Poet and His Muse | 9 |
Dedicated Words The Strategies of Front Matter | 46 |
Poets Labors Lost Patronage in Shakespeare | 87 |
Chameleon Muse The Poets Life in Shakespeares Courts | 121 |
Fearful Meditation The Young Man and the Poets Life | 159 |
Statues and Breathers | 194 |
Exemplary Front Matter | 202 |
Notes | 205 |
Index | 227 |
其他版本 - 查看全部
常見字詞
appears aristocratic Armado artistic Astrophil and Stella audience authors Berowne Berowne's Boyet chapter Cleopatra comedy conceit Coriolanus court courtiership courtly dedications dedicatory Donne doth Earl elaborate Elizabethan eloquence English epistle expressed eyes false Falstaff fashion favor figure front matter Harington hath Henry Holofernes Honourable Iago idle John Jonson King ladies language letter lines Lord Love's Labour's Lost mind muse never observed ornate style patron patronage perhaps Petrarchan phrase play play's poem poet poet's poetical poetry praise present Prince Proteus Puttenham Rape of Lucrece reader Renaissance Renaissance poet rhetorical rhyme Richard role satire satirist scene Shakespeare Shakespeare's Sonnets Sidney Sidney's Sonnet 29 Sonnet 35 Sonnet 58 Sonnet 94 Sonnets 124 Southampton speech sprezzatura suggest suitor sweet thee thing Thomas thou Timon of Athens tion Tudor urge Venus and Adonis Venus's verse words write wrote Young Man sonnets