Complete Course in Public SpeakingMacmillan, 1920 - 631 頁 |
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第 1 到 5 筆結果,共 11 筆
第 5 頁
... bands of tough elastic fiber which form the inside edges of the two half discs stretching over the ring cartilage . These bands ( the vocal cords ) are joined in front to two shield - shaped cartilages , which form the enclosing walls ...
... bands of tough elastic fiber which form the inside edges of the two half discs stretching over the ring cartilage . These bands ( the vocal cords ) are joined in front to two shield - shaped cartilages , which form the enclosing walls ...
第 6 頁
... vocal bands , and narrow and widen the glottis . The fundamental sound of the voice is produced by puffs of breath passing through the glottis and setting up vibrations of the vocal bands . If the bands are sufficiently relaxed and ...
... vocal bands , and narrow and widen the glottis . The fundamental sound of the voice is produced by puffs of breath passing through the glottis and setting up vibrations of the vocal bands . If the bands are sufficiently relaxed and ...
第 8 頁
... sound production . Just as the tones of these two instruments are obtained by forcing between two reeds a stream of air , so vocal tones depend upon breath being sent out between the vocal bands . Breath is the fundamental factor of voice ...
... sound production . Just as the tones of these two instruments are obtained by forcing between two reeds a stream of air , so vocal tones depend upon breath being sent out between the vocal bands . Breath is the fundamental factor of voice ...
第 11 頁
... sound pro- duction to coördinate the muscular action of the dia- phragm , abdomen and chest with the operation of the vocal organs , especially the vocal bands . The follow- ing exercises , therefore , have in view three ends , which ...
... sound pro- duction to coördinate the muscular action of the dia- phragm , abdomen and chest with the operation of the vocal organs , especially the vocal bands . The follow- ing exercises , therefore , have in view three ends , which ...
第 32 頁
... vocal bands so far apart that there is no murmur , or vocal sound , in their production ; for example , p , f , and t . These are variously known as pure consonants , unvoiced consonants , surds , atonics , or aspirates . The remainder ...
... vocal bands so far apart that there is no murmur , or vocal sound , in their production ; for example , p , f , and t . These are variously known as pure consonants , unvoiced consonants , surds , atonics , or aspirates . The remainder ...
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常見字詞
arms audience better breath Cæsar called clear consonant cried dead death Defarge desirable diaphragm diphthong drawbridge dread Edward the Confessor effect emotional example expression eyes feeling Fezziwig force gentlemen gesture give hand hard palate head hear heard heart heaven honor idea inflection International Nickel Co Julius Cæsar lips living look Lord means ment mental mind mouth nasal never night normal palate passage pause pharynx phrasing pitch plane position principles produce pronunciation range repeated resonance cavities Rustum SELECTIONS FOR PRACTICAL sentence SHAKESPEARE Silas Marner silent soft palate Sohrab soul sound is represented speaker speaking speech stress stroke student suggest supine syllable teeth tell Tellson's thee thing thou thought throat tion tone tongue turned utterance vocal voice vowel vowel sounds Warren Hastings Westminster Abbey wind words
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第 267 頁 - The torrent roar'd, and we did buffet it With lusty sinews, throwing it aside And stemming it with hearts of controversy ; But ere we could arrive the point proposed, Caesar cried ' Help me, Cassius, or I sink...
第 189 頁 - Once more unto the breach, dear friends, once more, Or close the wall up with our English dead ! In peace there's nothing so becomes a man As modest stillness and humility ; But when the blast of war blows in our ears, Then imitate the action of the tiger...
第 133 頁 - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
第 24 頁 - Tempered to the oaten flute ; Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long ; And old Damoetas loved to hear our song.
第 133 頁 - O, it offends me to the soul to hear a robustious periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
第 155 頁 - Not a drum was heard, not a funeral note, As his corse to the rampart we hurried ; Not a soldier discharged his farewell shot O'er the grave where our hero we buried.
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