讀者評論 - 撰寫評論
1901 LONDON PRINTED architecture artist atmosphere Ayrshire As read beautiful things bold born aristocrat Burne-Jones at last Canon Dixon carpet cathedrals century Chaucer CHISWICK PRESS colour commercialism conjunction with Sir Craft Guilds creating of beautiful decorative dream duction empty days England express Factory Acts Faulkner favourite feudal fond friends Glasgow March 4th Gothic Gothic Architecture Holy Orders hope Icelandic Sagas interest JAMES MORTON John Ruskin Jones Kelmscott knew labour labour-saving leisure lived lords mastered Middle Ages Middle Class Morris and Burne-Jones Morris saw Morris's poetry MORTON Of Darvel nature never night Old French ordinary serf Oxford painted patterns for chintzes perhaps physical strength pleasure pleasureless poem poet remarkable remember romances Rossetti seemed simple Sir Edward Burne Sir Edward Burne-Jones social socialist spent Spinning Jenny Stones of Venice talk texture tions took Topsy ture whole William Morris window wonderful XL Club
第 30 頁 - For this is the Great Story of the North, which should be to all our race what the Tale of Troy was to the Greeks...
第 35 頁 - I know by my own feelings and desires what these men want, what would have saved them from this lowest depth of savagery : employment which would foster their self-respect and win the praise and sympathy of their fellows, and dwellings which they could come to with pleasure, surroundings which would soothe and elevate them ; reasonable labour, reasonable rest. There is only one thing that can give them this — art.
第 9 頁 - From the first I knew how different he was from all the men I had ever met. He talked with vehemence, and sometimes with violence. I never knew him languid or tired. He was slight in figure in those days ; his hair was dark brown and very thick, his nose straight, his eyes hazel-coloured, his mouth exceedingly delicate and beautiful.
第 11 頁 - But his mental qualities, his intellect, also began to be perceived and acknowledged. I remember Faulkner remarking to me,' How Morris seems to know things, doesn't he ?' And then it struck me that it was so. I observed how decisive he was: how accurate, without any effort or formality: what an extraordinary power of observation lay at the base of many of his casual or incidental remarks, and how many things he knew that were quite out of our way; as, eg, architecture.
第 34 頁 - ... of which a good deal has been said in the papers of late, and has been said before at recurring periods. As I hear the yells and shrieks and all the degradation cast on the glorious tongue of Shakespeare and Milton, as I see the brutal reckless faces and figures go past me, it rouses the recklessness and brutality in me also, and fierce wrath takes possession of me, till I remember, as I hope I mostly do, that it was my good luck only of being born respectable and rieh that has put me on this...
第 15 頁 - I first saw the city of Rouen, then still in its outward aspect a piece of the Middle Ages: no words can tell you how its mingled beauty, history, and romance took hold on me; I can only say that, looking back on my past life, I find it was the greatest pleasure I have ever had: and now it is a pleasure which no one can ever have again: it is lost to the world for ever.
第 13 頁 - I cannot recollect what took place afterwards, but I expressed my admiration in some way, as we all did ; and I remember his remark, ' Well, if this is poetry, it is very easy to write.
第 34 頁 - As I sit at my work at home, which is at Hammersmith, close to the river, I often hear some of that ruffianism go past the window of which a good deal has been said in the papers of late, and has been said before at recurring periods. As I hear the yells and shrieks and all the degradation cast on the glorious tongue of Shakespeare and Milton, as I see the brutal reckless faces and figures go past me, it rouses the recklessness and brutality in me also, and fierce wrath takes possession of me, till...
第 16 頁 - Street's again when the office opened. During these months Rossetti's influence over him grew stronger and stronger. His doctrine that everybody should be a painter, enforced with all the weight of his immense personality and an eloquence and plausibility in talk which all who knew him in those years describe as unparalleled in their experience, carried Morris for a time off his feet.
第 11 頁 - The Stones of Venice.' It was some little time before I and others could enter into this : but we soon saw the greatness and importance of it. Morris would often read Ruskin aloud. He had a mighty singing voice, and chanted rather than read those weltering oceans of eloquence as they have never been given before or since, it is most certain. The description of the Slave Ship, or of Turner's skies, with the burden,