The music, or melody of rhythmus of languageGeorg Olms Verlag, 1819 - 250 頁 |
內容
Music its Division into Sound and Measure or Melody | 6 |
Modulation of Voice | 7 |
Thesis and Arsis overlooked or misunderstood by Com | 16 |
Scanning by the Rules of Prosody destructive of our finest | 22 |
The Meagre Quantity allowed by Commentators Proso | 23 |
Lengths of Poetic lines no necessary part of Rhythmus | 28 |
Cadence what and how divided | 29 |
Quality of Cadences those admissible those inadmissible | 38 |
CHAP IV | 154 |
Habakkuk Chap | 159 |
CHAP V | 163 |
The Ten Commandments | 165 |
A Hymn | 171 |
attempts to counteract the Thesis and Arsis or Pulsa | 178 |
Outlines of Gesture | 183 |
Zelica and Azims Death | 189 |
Distinction between Prose and Verse | 46 |
Measuring Prose and VerseChange of Time or Rhyth | 48 |
Words marked with proper Accent Quantity and Emphasis | 56 |
Definition of Music when applied to Song and to Speech | 65 |
Reformation of Prosodians not the only object of this | 72 |
Various passages selected as Exercises to be marked with | 78 |
Exercises to be marked with Thesis and Arsis Pause | 85 |
Exercises to be marked with Thesis and Arsis Bars or | 98 |
The Organs collectively considered as a Musical Instru | 128 |
Sacred Pieces in Prose and Verse | 152 |
The Death of Selim | 196 |
The Spirit of Music | 203 |
Speech of Brutus against Cæsar | 211 |
Hohenlinden | 217 |
Adam and Eves Morning Hymn | 223 |
Accentual Slides among the Greeks posterior to the days | 228 |
Sense Taste and Genius distinguished | 230 |
The Patriot Soldier | 236 |
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常見字詞
accent according affections applied Arsis beauty begin Blessed breath cadence called CHAPTER common complete dactyl earth emphasis English equal example expressed eyes feel feet five force frequently give Greek Greek feet hand hear heard heart heaven heavy iambus important joys kind language learning least length light Lord loud manner mark means measure metre mind mode nature never night notes o'er observed organs pauses poetry poize produce pronounce proper proportion prose prosodians prosody pulsation quantity reason remission rest rhythmus rise rules scan sense shades short sing soft song soul sound speaking speech spondee step sweet syllables teach thee Thesis thing thou tion triple variety various verse voice whole Δ Δ