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Beat Beatrice Benedick better Bianca Bion Biron Boyet brother Claud Claudio Clown Costard Count daughter dear Demetrius Dogb dost doth Duke Enter Exeunt Exit eyes fair fairy father fool friends gentle gentleman give grace Gremio hand hath hear heart Helena Hermia Hero hither honour Hortensio Illyria JOHNSON Kate Kath King knave lady Leon Leonato look lord lover Lucentio Lysander madam maid MALONE Malvolio marry master means mistress Moth never night Orla Orlando Padua Pedro Petruchio play Pompey pr'ythee pray Puck Pyramus Re-enter Rosalind Rousillon SCENE Shakespeare signior sing Sir ANDREW AGUE-CHEEK sir Toby speak STEEVENS swear sweet tell thank thee Theseus thine thing thou art thou hast Titania tongue Tranio troth unto WARBURTON word
第 35 頁 - All the world's a stage, And all the men and women merely players : They have their exits and their entrances ; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
第 139 頁 - The lunatic, the lover, and the poet, Are of imagination all compact. One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt : The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name.
第 22 頁 - The seasons' difference ; as the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors That feelingly persuade me what I am.
第 35 頁 - Even in the cannon's mouth; and then the justice, In fair round belly with good capon lin'd With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part; the sixth age shifts Into the lean and slipper'd...