Essays on the Study and Use of Poetry by Plutarch and Basil the GreatFrederick Morgan Padelford H. Holt, 1902 - 136 頁 |
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第 1 到 5 筆結果,共 19 筆
第 15 頁
... you should observe love with a critical eye and examine closely into it , you would find that no other passion is attended with more 123-24 . bitter grief , more intense and excessive joy , or 15 Plutarch's Theory of Poetry.
... you should observe love with a critical eye and examine closely into it , you would find that no other passion is attended with more 123-24 . bitter grief , more intense and excessive joy , or 15 Plutarch's Theory of Poetry.
第 16 頁
... passion to the making of poetry and songs . But although the poet must be a man of sensitive emotions , not every man of sensibility will be a poet . The power to express passion- ate feeling in language melodious , rhythmical , and ...
... passion to the making of poetry and songs . But although the poet must be a man of sensitive emotions , not every man of sensibility will be a poet . The power to express passion- ate feeling in language melodious , rhythmical , and ...
第 22 頁
... therefore , because he that is really affected with grief or anger presents us with nothing but the common bare passion , but in persons- -so when the youth reads what Thersites the buf- 22 Plutarch's Theory of Poetry.
... therefore , because he that is really affected with grief or anger presents us with nothing but the common bare passion , but in persons- -so when the youth reads what Thersites the buf- 22 Plutarch's Theory of Poetry.
第 23 頁
... hearing those that represent the passions of men angry or sorrowful , and yet cannot without concern behold those who are really so affected . life from art , but he discriminated between the artistic 23 Plutarch's Theory of Poetry.
... hearing those that represent the passions of men angry or sorrowful , and yet cannot without concern behold those who are really so affected . life from art , but he discriminated between the artistic 23 Plutarch's Theory of Poetry.
第 28 頁
... passion to be vulnerable , for he says : ' Poetry is an imitation of character and of life , and of men who are not wholly perfect , pure , and blameless , but in some degree subject to passion , error , and ignorance . ' 92 If now we ...
... passion to be vulnerable , for he says : ' Poetry is an imitation of character and of life , and of men who are not wholly perfect , pure , and blameless , but in some degree subject to passion , error , and ignorance . ' 92 If now we ...
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Achilles action admiration Aeschylus Agamemnon anger Antisthenes Aristophanes Aristotle artistic Athens base Basil beautiful Bergk better character CHARLES GROSVENOR OSGOOD charm CHIG CHIG UNIV Christian Chrysippus Cicero deeds divine doctrines Euripides excellence expression FMIC FMIC SITY Fortune GAN ERSITY give Gnosticism gods Gregory Hector Hesiod Homer Ibid imitative art judgment learning lest Meineke Menander ment MIC UNIV mind moral nature Nauck Odys Odysseus one's pagan passages passion Peripatetic Ph.D philosophy Plato pleasure Plutarch Plutarch's theory poem poet poetic poetry praise precept Pythagoras relation of poetry render reproach riches RSITY MIC says Schlemm sentiments SITY UNIV Sophocles soul Stoics study of poetry Study Poetry teach thee things thou thought tragedy translation truth UNIV AN RSITY UNIV AN UNIVE UNIV GAN UNIV MIC UNIV RSITY UNIV UNIV utter verses viii virtue wealth Wherefore wisdom wise words writings young youth Zeus καὶ
熱門章節
第 72 頁 - Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative ; through pity and fear effecting the proper purgation of these emotions.
第 60 頁 - I became, to my best memory, so much a proficient that if I found those authors anywhere speaking unworthy things of themselves, or unchaste of those names which before they had extolled, this effect it wrought with me; from that time forward their art I still applauded, but the men I deplored...
第 52 頁 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
第 20 頁 - Poetry in general seems to have sprung from two causes, each of them lying deep in our nature. First, the instinct of imitation is implanted in man from childhood, one difference between him and other animals being that he is the most imitative of living creatures, and through imitation learns his earliest lessons; and no less universal is the pleasure felt in things imitated.
第 53 頁 - Poetry, therefore, is a more philosophical and a higher thing than history, for poetry tends to express the universal, history the particular. By the universal, I mean how a person of a certain type will on occasion speak or act, according to the law of probability or necessity; and it is this universality at which poetry aims in the names she attaches to the personages.
第 28 頁 - And when the boy has learned his letters, and is beginning to understand what is written, as before he understood only what was spoken, they put into his hands the works of great poets, which he reads...
第 64 頁 - This is the lot the gods have spun for miserable men, that they should live in pain; yet themselves are sorrowless.
第 21 頁 - Again, since Tragedy is an imitation of persons who are above the common level, the example of good portrait-painters should be followed. They, while reproducing the distinctive form of the original, make a likeness which is true to life and yet more beautiful.
第 73 頁 - language embellished," I mean language into which rhythm, "harmony," and song enter. By "the several kinds in separate parts," I mean, that some parts are rendered through the medium of verse alone, others again with the aid of song.