Biographia Literaria, Or, Biographical Sketches of My Literary Life and OpinionsG. P. Putnam, 1848 - 804 頁 |
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第 1 到 5 筆結果,共 81 筆
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... Poet , but as a Lover and a Teacher of Wisdom , my Father may continue to be spoken of in connexion with you , while your writings become more and more fully and widely appreciated , is the dearest and proudest wish that I can form for ...
... Poet , but as a Lover and a Teacher of Wisdom , my Father may continue to be spoken of in connexion with you , while your writings become more and more fully and widely appreciated , is the dearest and proudest wish that I can form for ...
第 頁
... poets before and since Pope 141 CHAP . II . Supposed irritability of men of genius brought to the test of facts - Causes and occasions of the charge - Its injustice . 163 CHAP . III . The Author's obligations to Critics , and the ...
... poets before and since Pope 141 CHAP . II . Supposed irritability of men of genius brought to the test of facts - Causes and occasions of the charge - Its injustice . 163 CHAP . III . The Author's obligations to Critics , and the ...
第 14 頁
... poetic faculty and the productive intuition are identified , and that which is active in both , that one and the same , declared to be the Imagination : but this appears to be the crown and completion of a system already laid down , not ...
... poetic faculty and the productive intuition are identified , and that which is active in both , that one and the same , declared to be the Imagination : but this appears to be the crown and completion of a system already laid down , not ...
第 24 頁
... poet whose works are , perhaps , as generally read here as those of Shakspeare in Germany . The expression , " brightest gems , " however , is meant to include Lines on a Cataract , which are somewhat more conspicuous in Coleridge's poetic ...
... poet whose works are , perhaps , as generally read here as those of Shakspeare in Germany . The expression , " brightest gems , " however , is meant to include Lines on a Cataract , which are somewhat more conspicuous in Coleridge's poetic ...
第 29 頁
... Poetic Works , ii . , p . 78 , called Names , and another on Rufa and her Lapdog , which has been printed somewhere .- ( Die Namen and An die Dorilis . Works of Lessing , vol . i . , p . 19 , and p . 46. ) He had spoken of them as ...
... Poetic Works , ii . , p . 78 , called Names , and another on Rufa and her Lapdog , which has been printed somewhere .- ( Die Namen and An die Dorilis . Works of Lessing , vol . i . , p . 19 , and p . 46. ) He had spoken of them as ...
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ab extra absolute Antinomianism appear Archdeacon Hare Aristotle believe Biographia Literaria cause character Christ Christian Church Coleridge Coleridge's common connexion consciousness criticism distinct divine doctrine edition Essay existence faculty faith fancy Father feelings Fichte former genius German ground heart Hobbes honor human Hume ideas imagination impression intellectual intelligence Irenæus Jacobin judgment justified Kant knowledge language latter least Leibnitz less literary Luther Lyrical Ballads Maasz Malebranche means mechanical philosophy metaphysical mind moral nature never notion object opinion original outward Pantheism passage philosophy Plato Plotinus poems poet poetic poetry present principles produced published quæ reader reason reference religion religious remarks representation Schelling Schelling's sensation sense Solifidian sonnets soul speak Spinoza spirit suppose Synesius things thought tion transcendental Transl translation Transsc treatise true truth understanding volume whole William Law words Wordsworth writings καὶ τὸ
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第 166 頁 - Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read. And tongues to be your being shall rehearse When all the breathers of this world are dead. You still shall live — such virtue hath my pen — Where breath most breathes, even in the mouths of men.
第 151 頁 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
第 202 頁 - For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
第 376 頁 - The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
第 376 頁 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it Struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
第 169 頁 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
第 155 頁 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
第 376 頁 - The fancy is indeed no other than a mode of Memory emancipated from the order of time and space...
第 204 頁 - It was the union of deep feeling with profound thought ; the fine balance of truth in observing, with the imaginative faculty in modifying the objects observed ; and above all the original gift of spreading the tone, the atmosphere, and with it the depth and height of the ideal world around forms, incidents, and situations...
第 172 頁 - O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head ; Then shine the vales, the rocks in prospect rise, A flood of glory bursts from all the skies : The conscious swains, rejoicing in the sight, Eye the blue vault, and bless the useful light.