 He has left the land where nature is still lovely, where, in his mind's eye, he can rebuild the temple or the theatre, half doubting whether they would have made a more grateful impression upon the senses than the ruin before him. He is now at a loss...  Southern Quarterly Review - 第 5 頁由 編輯 - 1850完整檢視 - 關於此書
 | 1850 - 704 頁
...lovely ; where, in his mind's eye, he can rebuild the temple or the theatre, half doubting whether they would have made a more grateful impression upon...Those of whose works they are the remains, unlike P the Roman and the Greek, hare left no visible traces of their civilisation, or of their arts: their... | |
 | 1849 - 608 頁
...still lovely, where, in his mind's eye, he can rebuild the temple or the theatre, half doubting whether they would have made a more grateful impression upon the senses than the ruins before him. He is now at a loss to give any form to the rude heaps upon which he is gazing. Those... | |
 | 1866 - 824 頁
...first impressions on visiting the supposed site of this ancient city, observes — " The traveller is at a loss to give any form to the rude heaps upon...Those of whose works they are the remains, unlike the Romans and the Greeks, have left no visible traces of their civilization or of their arts; their influence... | |
 | 1849 - 654 頁
...lovely, where, in his mind's eye,' he can rebuild the temple or the theatre, half doubting whether they would have made a more grateful impression upon...Those of whose works they are the remains, unlike the Eoman and the Greek, have left no visible traces of their civilisation, or of their arts : their influence... | |
 | Elijah Coleman Bridgman, Samuel Wells Williams - 1849 - 684 頁
...still lovely, where, in his mind's eye, he can rebuild Ihe temple or the theatre, half doubling whether they would have made a more grateful impression upon...which he is gazing. Those of whose works they are the reinaing, unlike the Roman and tlie Greek, have left no visible traces of their civilisation, or of... | |
 | John Cumming - 1849 - 190 頁
...the temple or the theatre, half doubting whether they would have made a more grateful impression on the senses than the ruin before him. He is now at...gazing. Those of whose works they are the remains have left no visible traces of their civilization or of their arts — their influence has long since... | |
 | 1849 - 896 頁
...'in his mind's eye, he can rebuild the temple or the theatre, half doubting whether they would hate made a more grateful impression upon the senses than...ruin before him. He is now at a loss to give any form U> the rnde heaps upon which he is gazing. Those of whose works they are the remains, unlike the Roman... | |
 | Elijah Coleman Bridgman, Samuel Wells Williams - 1849 - 690 頁
...the theatre, half doubting whether they would have made a more grateful impression upon the sensée than the ruin before him. He is now at a loss to give any form to the rudo heaps upon which he is gazing. Those of whose works they are the remains, unlike the Roman and... | |
 | 1849 - 742 頁
...siill lovely, where, in his mind's eye, he can rebuild the temple or the theatre, half doubting whether they would have made a more grateful impression upon the senses than the ruin before him. lie is now at a loss to give any form to the rude heaps upon which he is gazing. Those of whose works... | |
 | John Holmes Agnew, Walter Hilliard Bidwell, Henry T. Steele - 1849 - 608 頁
...still lovely, where, in his mind's eye, he can rebuild the temple or the theatre, half doubting whether they would have made a more grateful impression upon the senses than the ruins before him. He is now at a loss to give any form to the rude heaps upon which he is gazing. Those... | |
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