The Bucknell Review, 第 17 卷Bucknell University Press, 1969 |
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第 1 到 3 筆結果,共 32 筆
第 20 頁
... evil by means of a subtle dialectical pattern depicted by the op- posing characters in the two works . Some of the superficial likenesses between Christabel and The Cenci result from the authors ' attempts to follow the Gothic tradition ...
... evil by means of a subtle dialectical pattern depicted by the op- posing characters in the two works . Some of the superficial likenesses between Christabel and The Cenci result from the authors ' attempts to follow the Gothic tradition ...
第 29 頁
... evil forces . Rather their experiences expose the " dark caverns " of the human mind , the latent potential for evil . In both works the encounter with evil , painful though it may be , is potentially ennobling . Both characters are ...
... evil forces . Rather their experiences expose the " dark caverns " of the human mind , the latent potential for evil . In both works the encounter with evil , painful though it may be , is potentially ennobling . Both characters are ...
第 30 頁
... evil , no spiritual vitality . So long as Christabel remains untouched by evil and so long as Beatrice can rest in her externally applied morality , neither is genuinely innocent . They need Geraldine and Cenci as much as Faust needs ...
... evil , no spiritual vitality . So long as Christabel remains untouched by evil and so long as Beatrice can rest in her externally applied morality , neither is genuinely innocent . They need Geraldine and Cenci as much as Faust needs ...
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actual artist Beatrice beauty becomes behavior Berdyaev Blake Blake's Bradford Brian O'Nolan Bucknell Review Cenci century Christabel Communism concept consciousness Correggio critical Cuchulain culture Dasein defined dream Emerson essay evil example existence fact Fielding's Flann O'Brien frame of reference Freud Geraldine Gide Gide's Gorgon Greek Heidegger hero human Ibid ideal imagination individual intellectual interpretation intuition Jaspers Leda lover man's Mary Hynes Maud Maud Gonne means Midsummer Night's Dream mind money imagery moral Mower mysticism nature normative notion novel object frame object framework painting participative experience person philosophy physically given play Plotinus poem poet poetry political possible present psychological reality Rembrandt Reynolds Rubens Russian says sense sexual Shakespeare social sonnets speaker spiritual swan Swim-Two-Birds symbol taboo theory Theseus thing Third Policeman thought tion Titian tower tradition transcendence unconscious Venetian vision W. B. Yeats words Yeats Yeats's York