The Bucknell Review, 第 17 卷Bucknell University Press, 1969 |
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第 1 到 3 筆結果,共 21 筆
第 36 頁
ing Rubens and what Rubens represented , Blake attacked what he considered the pictorial equivalent of Augustan poetry and English empiricism . Rubens became for Blake the chief symbol of that " class of artists , whose whole art and ...
ing Rubens and what Rubens represented , Blake attacked what he considered the pictorial equivalent of Augustan poetry and English empiricism . Rubens became for Blake the chief symbol of that " class of artists , whose whole art and ...
第 37 頁
Rubens ' influence ( especially in England ) , and his belief that Rubens was a conscious adversary of the Roman and Florentine schools of painting : You must agree that Rubens was a Fool , And yet you make him master of your School And ...
Rubens ' influence ( especially in England ) , and his belief that Rubens was a conscious adversary of the Roman and Florentine schools of painting : You must agree that Rubens was a Fool , And yet you make him master of your School And ...
第 39 頁
... Rubens when the painter visited England in 1629-30 , at which time he was also given an hon- orary M.A. by Cambridge University and commissioned to paint the ceiling of the Banquet Hall in Whitehall.12 In less than forty years , Rubens ...
... Rubens when the painter visited England in 1629-30 , at which time he was also given an hon- orary M.A. by Cambridge University and commissioned to paint the ceiling of the Banquet Hall in Whitehall.12 In less than forty years , Rubens ...
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