Beyond the Family Romance: The Legend of PascoliGiovanni Pascoli (1855-1912) is one of Italy's most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli's domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli's literature and Freud's theories, with a particular focus on each author's interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of 'origins' are analyzed, moving Pascoli's poetry beyond the biographical strictures that have hitherto confined it. Truglio's post-structuralist readings question the dichotomy between 'safety within the home' and the 'threatening outside world,' revealing the ambivalences with which images of the home are fraught in Pascoli's poetry. In addition to the sustained comparison with Freud's writing, Beyond the Family Romance explores parallels between Pascoli's work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino ('little child'), Truglio shows that Pascoli's poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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After eating the berries , the baron takes on a dizzying and delirious double
identity as both himself and the servant ; ' Clara . ' Finally , horrified by the
spectacle of the raving baron - servant , Clara ' s frightened murderer reveals
himself .
The nuclear family appears here perfectly reconstructed : at the side of Ines - Ida ,
who takes on the role of the little queen of the home , Pascoli places himself .
Confessing the unconfessable , he takes the wedding ring from the owner of
Santa ...
Similarly , Pascoli tells another ' fable ' or parable in the preface to the Poemi
conviviali , a preface that takes the form of a letter addressed to his colleague
Adolfo de Bosis ( the editor of the literary journal Convito , in which several of the
...