Beyond the Family Romance: The Legend of PascoliGiovanni Pascoli (1855-1912) is one of Italy's most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli's domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli's literature and Freud's theories, with a particular focus on each author's interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of 'origins' are analyzed, moving Pascoli's poetry beyond the biographical strictures that have hitherto confined it. Truglio's post-structuralist readings question the dichotomy between 'safety within the home' and the 'threatening outside world,' revealing the ambivalences with which images of the home are fraught in Pascoli's poetry. In addition to the sustained comparison with Freud's writing, Beyond the Family Romance explores parallels between Pascoli's work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino ('little child'), Truglio shows that Pascoli's poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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Graf , a contemporary of Pascoli , develops the story model found in Dante ,
especially in Ulysses ' rallying speech to the men . Graf emphasizes the desire for
novelty and greatness , as the hero sets out to discover ' un altro mondo / Assai ...
The companions land first on the island of Circe , where Ulysses pursues his
dream of Love . ' Next , they rediscover the land of Polyphemus , the Cyclops ,
where the hero attempts to recapture his dream of Glory . Canto XXII rapidly
narrates ...
Such shifting occurs , for example , when we are told that the birds ' andavano , e
coi remi battean l ' aria ' [ ' flew on , their wings , like oars , beat the air ' ( 1 : 76 ) ] ;
and again when Ulysses , holding his oar at his shoulders , replies to the land ...