Beyond the Family Romance: The Legend of PascoliGiovanni Pascoli (1855-1912) is one of Italy's most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli's domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli's literature and Freud's theories, with a particular focus on each author's interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of 'origins' are analyzed, moving Pascoli's poetry beyond the biographical strictures that have hitherto confined it. Truglio's post-structuralist readings question the dichotomy between 'safety within the home' and the 'threatening outside world,' revealing the ambivalences with which images of the home are fraught in Pascoli's poetry. In addition to the sustained comparison with Freud's writing, Beyond the Family Romance explores parallels between Pascoli's work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino ('little child'), Truglio shows that Pascoli's poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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In Ezekiel , Gog ( an individual ) is the King of Magog ( the people ) and a threat
to Israel , while in Revelation , it is prophesied that the peoples of Gog and
Magog will attack the city of the saints but will be conquered and cast into the
pool of ...
their feared escape has been apocalyptic in tenor . ( In Pascoli ' s version , the
use of Dantesque terza rima in some passages contributes to the apocalyptic
tone . ) In one account recorded by Graf , we read that ' Gog e Magog sono use
cibarsi ...
In the final stanza , the monsters , and the readers , discover that all the while it
has been Gog and Magog ' s own imagination that has constructed the figure of
Alexander . In fact , all the rich detail we as readers have been offered about ...